Tag Archives: critique

It’s marketing time! More blog posts and interviews, less novel writing.

While I was on vacation, dreaming about getting back and leisurely finishing ASHES IN THE SKY, my publicist sent over my blog tour interviews and guest post requests.

Just_Breathe

After reviewing them (14 in all so far) I decided to write “just a little” of ASHES IN THE SKY per day to keep myself going, and bust out the marketing for FIRE IN THE WOODS as soon as I can (They are all due back by September 15th)

I cringe when I think of it, because my original goal was to finish ASHES IN THE SKY before my vacation.  Then I moved the goal day to a week after vacation when I got bogged down with the edits. Right now that deadline doesn’t look all that rosy either.

Sigh

But I will not be thwarted!  I am doing my best to write clean copy. I am hoping that all I will have to do is general insertion of emotion and setting. Hopefully there will be no huge changes or additions to be made, but I won’t know until I send this puppy out to my beta readers to be slapped around a bit.

As it stands now, I am just turning the corner into act three.  The third and final act should be a roller-coaster ride and easy plot-wise to write, but hard in the “action” department.  I probably only have about 10,000-20,000 words to go.  I can do this. I just need to keep plugging away.

JenniFer_EatonFFire in the Woods Revised Cover

When the edits are finally over… Whew!

Edits are finally done for FIRE IN THE WOODS. Part of me breathes a sigh of relief, while the other part of me cringes in horror.

This was a multi-faceted process, which would have been much easier if I was not writing book two, ASHES IN THE SKY at the same time under a very stringent deadline. I work great under pressure, but not always great under double pressure.

Book Left1Developmental Edit

Anyway, step one was the Developmental Edit. This was not all that hard. There were two minor changes… one that took a half-hour phone conversation with my editor until we worked it out… but really minor for the overall story. #1 was ramping up the father’s reaction at one point, and #2 was giving Jess a little more of a reason to be afraid of another character. Overall, easy fixes.

Book Right1General Editing

After the developmental edit we went through three rounds of general editing for flow, readability and stuff like that. Here is where I found all those words that were repeated. This was the most painstaking part for me.

Book Right1Proofreading

After this we went through three FULL READS of the novel front to back looking for typos, mis-spelled words, improper punctuation and the like. THIS is the part that scares me. I found errors each time I read it (after correcting what I found the previous time). This really stresses me out because being a perfectionist; I would like to have been able to read through front to back without finding any typos. All I can do at this point is hope and pray I found them all. (And maybe bite off a few nails)

So, I leave for vacation knowing that my work is done, and all I need to do now is worry about book two… and reapplying sun screen.

_JenniFer____EatoNcropped-fire-banner-final2.png

 

Everyone can benefit from a critique, but not everyone should get one

I find myself shaking my head sometimes at the way people act when their work is critiqued or reviewed.

Recently I was in attendance at an event where an author spoke. She started by laughing about receiving a harsh review that day. Then she asked the audience if anyone read her book.  When one girl raised her hand, the author said (I’m making this up) “Do you think there was too much tomato soup in that pot?” The girl in the audience said: “Well, I do see how someone could think there was too much tomato soup in the pot”.

What went immediately through my mind was that maybe there WAS too much soup in the pot, and the author didn’t realize it.

The funny thing was, the author then started to argue why she didn’t think there was too much soup in the pot.

Think GirlIt made me think:

If two people thought the same thing, the issue is probably there.

As an author, we need to understand that what we type onto the page may not be perceived as we expect from  a reader’s point of view. We need to accept this, and move on.

Thankfully, the speaker caught that she was defending herself, laughed, and continued her talk.

This brings me to critiques.

If you cannot handle a critique, what are you going to do when you get out into the “real world” and people slam you on the internet because your main character’s name is Fred and they hate the name Fred? Think about that.

Some people react oddly when they get a critique.  For me, personally, If I get a crit that says “Wow, this was wonderful. I really enjoyed it in every way shape and form. You are brilliant!” I’m not really all that happy – Now, if you want to say that in a review, I’d love you for it :-)

But in a critique?

GAH!

Nope.

This is a person who will never crit my stuff again.

Because I am smart enough to know I’m not perfect. Nope. Far from it.

But some people out there want to be coddled. They want their egos stroked. People like this SHOULD NOT be asking for critiques. A critique is not a forum for your self-esteem, although it can be a place where you can BUILD your esteem.

If you are not ready for feedback that you may not like, then you need to find a way to GET READY.

PKO_0013466 sadBecause learning that the pivotal scene you wrote— the one that makes you cry and changes your life every time you read it… (yeah, you know that scene. Everyone has one)

Anyway… learning that your scene DIDN’T provoke the emotional response you wanted is going to hurt. But what you need to train yourself to do is let that pain sink in for all of five seconds, get over it, and then re-read the comments and look for useful information to better your writing.

PKO_0004816Believe me, guys – for those of you who are not published yet – it is FAR BETTER for a critique partner to tell you that something does not work, and give you ideas on how to make it work, then to get slammed in an amazon review later.

So where are you on this? If you have not been critiqued or reviewed, are you preparing yourself, or are you looking for a testimony to your brilliance?

If you’ve been receiving critiques for some time, how do you react when one, two, or three people say something you disagree with?

_JenniFer____EatoN

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The Results Are In! How Did Others Do With Their Breathless Critiques?

The results are in, and here’s how things panned out…

swish swivel squiggle

7.12% – “Other”

7.14% – Received few/unhelpful comments. They did not mention anything about submitting again

21.43% – Received useful comments, but they did not mention anything about submitting again

28.57% – Received comments and an invitation to send a query once they were done.

35.71% – Fast tracked – asked to send in the full manuscript as soon as it is complete.

swish swivel squiggle

Interesting.  It seems a lot of people were fast tracked.  That means there must be some sparkly manuscripts out there.  I wonder what the stats are of “fast tracked” manuscripts that actually end up published?

The world may never know.

Thanks for contributing!

swish swivel squiggle

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Great opportunity! Get your first five pages critiqued by a professional editor

I’ve missed this opportunity the last two times this call opened up because I was on vacation. Boy was I mad!  But this time I’m all ready to go. Yay!

Breathless Press (Adult) and Lycaon Press (YA) are opening up for a “Tender Love Critique Session” on February 14th (Valentine’s Day) until midnight EST Sunday, February 16th.

Send your first five pages **Times New Roman, 12 pt font, double spaced** in .rtf or .doc format (no .docx) to critiques@breathlesspress.com

The cool thing is that you don’t have to be one of the first 10 or even the first 100 to enter. EVERYONE who submits gets a critique. (I don’t think they are giving a turnaround time, though)

Another cool thing is your manuscript DOES NOT need to be complete, and it is not even a formal submission. They are critiquing everything.

Why would they do this?

They are pretty smart, actually.  Most editors know if they want a book within the first few pages.  If they like what they see, they will ask to see your manuscript when it is complete. (This happened with a friend of mine)

My question for you…

What do you have to lose?  Send in your first five, even if Breathless/Lycaon are not on your radar, your first five pages are the most important pages of your book.  Why not get an educated opinion of how good they are?

Who’s going for it?

_JenniFer____EatoN

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How to make Your Reader Care About Your Character #5

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal (See previous post)

3.       Caring about others (See previous post)

4.       A special gift or talent. (See previous post)

5.       A handicap

Oooooo.  That’s a good one.

Here’s a good one. Even though you might not be handicapped, you can imagine what it would be like, right?  You feel for someone with a disability.

This came up recently in a comment on my blog, when someone mentioned that the horrid character on the TV show House was softened because he had a handicap.

How about a phobia?

A phobia is a good one two… something they need to overcome in order to fulfill their purpose of hero in the story.

Or something even more simple and relatable

Maybe it is something simple, like they need to run for their lives and the only car available to flee in has a stick shift, but the character does not know how to drive a stick.

Anything wrong with your character is an easy way to make them relatable. No one wants to read about someone who is perfect, right?

Unless you are Mary Poppins.  (But she was only practically perfect, right?)

That’s it!

Five ways to create the ever-important care-factor.  Give your readers characters that they can care about, and they will scream for more!

Think about the main character in your favorite novel. Pinpoint exactly what it was that made you engage with them. What was it? Come on, share the ideas!

_JenniFer____EatoN

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How to make Your Reader Care About Your Character #4

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal (See previous post)

3.       Caring about others (See previous post)

4.       A special gift or talent.

A special gift or talent can be tricky

This one can be tricky, but it can be used when the others fail. A special talent, I think, needs to be part of the plot to make it work.  Like a person loves to draw, so we want to see them become a successful artist.  If they don’t, then why did they have the talent mentioned in the story to begin with?

Make sure it has meaning

This needs to be all about fulfillment. They need to use the talent to make something happen in the story.

Yes, this could be a great device, but be careful to make sure it fits inside your plot and story arc.

What recent special talent have you read that really drew you in to a novel?

_JenniFer____EatoN

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How to make Your Reader Care About Your Character #3

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal (See previous post)

3.       Caring about others

Even the most horrible person on the planet has to care about someone, right?

Well, maybe not the most horrible person on the planet. I suppose you could create a noteworthy character who does not care about others, but the more I think of it, even the greatest villains of all time cared about something.

A villain can be a big softie

The guy in Psycho was pretty twisted, but that was okay, because he really loved his grandma. The Dude in Despicable Me wanted to be the greatest villain of all time, but these kids that he cared about kept getting in the way.
I think the idea is that in most cases everyone cares about someone. It may be trivial, or it may be gruesome, like keeping your beloved dead grandma… but it is that “care factor” that a reader can relate to.

Taking the easy way out

The handout talks about easier versions of caring, like taking care of a baby or helping an old lady cross the street.  So, if your character is a nice person, just make sure we can see them doing something that shows that they care for others.  They will get brownie points from your readers for their trouble.

Think about a novel your recently read that you loved. What did the main character care about?

_JenniFer____EatoN

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How to make Your Reader Care About Your Character #2

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal

Ugh. Goals. We all have them, right? We all have something we need to do every day. Some goals we like, others we labor over.  The point is, we can all relate to having to do something.

If your character is wandering around in circles with no clear intent, the reader will not be able to engage.  Even before the inciting incident that is the real start to your story… your character has to have a reason for being… a goal of something that needs to be done (it can be simple, like making dinner)

But soon you should hit the “big goal” that will carry your reader along for the rest of the journey. We have to know what the goal is and have a vested interest in the character getting there.

By the way, the “big goal” needs to materialize in the first 25% of the book or earlier.  This may seem like a given to most of you, but I’ve read some works in progress lately where the author did not understand this. Think about your character’s goal, and make sure it is apparent to the reader.

Everyone wants something.

A reader can connect and care if they have the opportunity to root for your character to get what he/she wants.

So go ahead, give them a goal!

What was the character’s goal in your favorite novel? Do you think this is what made it your favorite?

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How to make Your Reader Care About Your Character #1

I was cleaning off my desk this weekend and I came across a handout from a seminar or class that I don’t even remember taking.  I read through the page and considered my current work in progress.  I’m pretty sure that by this time in my career I am doing what the handout recommends as an almost instinctual part of my writing process.

I almost tossed the paper, but thought there may be some people out there who could benefit from these notes.  And, of course, I tend to learn stuff myself when I write out and analyze notes for posts, so let’s see what happens.

To keep things  short, I will break this topic into 5 separate posts.  One thought to chew on at a time.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

All right:  Creating a character people care about:

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  Everyone in the world has relationships. They can be good, bad, or just tolerable, but you know what a relationship is, and so does your reader. Seeing a character in a relationship is an easy way to help a reader connect.

Let’s think over some memorable relationships.  I’ll grab a character most people know.

Harry Potter.

Harry lives with his aunt and uncle. Wow, they do not treat him well, do they? Have you ever been treated unfairly? Have you every had to put up with it because you had no choice? Have you ever wished a magic letter would show up and scoot you away? (Well, I’m sure the answer is “yes” to most of what I said, anyway.)

Giving Harry this horrible home life helps us to INSTANTLY connect with him. We feel sorry for him and want him to live up to his potential.  If Harry can overcome the odds, maybe we can, too.

Do you see how quickly and easily the connection is made? In the first few scenes we totally care and we are engaged.

Relationships. Use them.

And if your character is stranded on a deserted island, have him draw a face on a ball so he has someone to talk to. Yes, that has been done, but that helped you to connect as well, right?
Relationships are one of the easiest ways to help your readers care about your characters.

How have you used relationships to develop your characters?

_JenniFer____EatoN