Tag Archives: critiquing

It’s marketing time! More blog posts and interviews, less novel writing.

While I was on vacation, dreaming about getting back and leisurely finishing ASHES IN THE SKY, my publicist sent over my blog tour interviews and guest post requests.

Just_Breathe

After reviewing them (14 in all so far) I decided to write “just a little” of ASHES IN THE SKY per day to keep myself going, and bust out the marketing for FIRE IN THE WOODS as soon as I can (They are all due back by September 15th)

I cringe when I think of it, because my original goal was to finish ASHES IN THE SKY before my vacation.  Then I moved the goal day to a week after vacation when I got bogged down with the edits. Right now that deadline doesn’t look all that rosy either.

Sigh

But I will not be thwarted!  I am doing my best to write clean copy. I am hoping that all I will have to do is general insertion of emotion and setting. Hopefully there will be no huge changes or additions to be made, but I won’t know until I send this puppy out to my beta readers to be slapped around a bit.

As it stands now, I am just turning the corner into act three.  The third and final act should be a roller-coaster ride and easy plot-wise to write, but hard in the “action” department.  I probably only have about 10,000-20,000 words to go.  I can do this. I just need to keep plugging away.

JenniFer_EatonFFire in the Woods Revised Cover

When the edits are finally over… Whew!

Edits are finally done for FIRE IN THE WOODS. Part of me breathes a sigh of relief, while the other part of me cringes in horror.

This was a multi-faceted process, which would have been much easier if I was not writing book two, ASHES IN THE SKY at the same time under a very stringent deadline. I work great under pressure, but not always great under double pressure.

Book Left1Developmental Edit

Anyway, step one was the Developmental Edit. This was not all that hard. There were two minor changes… one that took a half-hour phone conversation with my editor until we worked it out… but really minor for the overall story. #1 was ramping up the father’s reaction at one point, and #2 was giving Jess a little more of a reason to be afraid of another character. Overall, easy fixes.

Book Right1General Editing

After the developmental edit we went through three rounds of general editing for flow, readability and stuff like that. Here is where I found all those words that were repeated. This was the most painstaking part for me.

Book Right1Proofreading

After this we went through three FULL READS of the novel front to back looking for typos, mis-spelled words, improper punctuation and the like. THIS is the part that scares me. I found errors each time I read it (after correcting what I found the previous time). This really stresses me out because being a perfectionist; I would like to have been able to read through front to back without finding any typos. All I can do at this point is hope and pray I found them all. (And maybe bite off a few nails)

So, I leave for vacation knowing that my work is done, and all I need to do now is worry about book two… and reapplying sun screen.

_JenniFer____EatoNcropped-fire-banner-final2.png

 

How to make Your Reader Care About Your Character #5

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal (See previous post)

3.       Caring about others (See previous post)

4.       A special gift or talent. (See previous post)

5.       A handicap

Oooooo.  That’s a good one.

Here’s a good one. Even though you might not be handicapped, you can imagine what it would be like, right?  You feel for someone with a disability.

This came up recently in a comment on my blog, when someone mentioned that the horrid character on the TV show House was softened because he had a handicap.

How about a phobia?

A phobia is a good one two… something they need to overcome in order to fulfill their purpose of hero in the story.

Or something even more simple and relatable

Maybe it is something simple, like they need to run for their lives and the only car available to flee in has a stick shift, but the character does not know how to drive a stick.

Anything wrong with your character is an easy way to make them relatable. No one wants to read about someone who is perfect, right?

Unless you are Mary Poppins.  (But she was only practically perfect, right?)

That’s it!

Five ways to create the ever-important care-factor.  Give your readers characters that they can care about, and they will scream for more!

Think about the main character in your favorite novel. Pinpoint exactly what it was that made you engage with them. What was it? Come on, share the ideas!

_JenniFer____EatoN

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How to make Your Reader Care About Your Character #4

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal (See previous post)

3.       Caring about others (See previous post)

4.       A special gift or talent.

A special gift or talent can be tricky

This one can be tricky, but it can be used when the others fail. A special talent, I think, needs to be part of the plot to make it work.  Like a person loves to draw, so we want to see them become a successful artist.  If they don’t, then why did they have the talent mentioned in the story to begin with?

Make sure it has meaning

This needs to be all about fulfillment. They need to use the talent to make something happen in the story.

Yes, this could be a great device, but be careful to make sure it fits inside your plot and story arc.

What recent special talent have you read that really drew you in to a novel?

_JenniFer____EatoN

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How to make Your Reader Care About Your Character #3

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal (See previous post)

3.       Caring about others

Even the most horrible person on the planet has to care about someone, right?

Well, maybe not the most horrible person on the planet. I suppose you could create a noteworthy character who does not care about others, but the more I think of it, even the greatest villains of all time cared about something.

A villain can be a big softie

The guy in Psycho was pretty twisted, but that was okay, because he really loved his grandma. The Dude in Despicable Me wanted to be the greatest villain of all time, but these kids that he cared about kept getting in the way.
I think the idea is that in most cases everyone cares about someone. It may be trivial, or it may be gruesome, like keeping your beloved dead grandma… but it is that “care factor” that a reader can relate to.

Taking the easy way out

The handout talks about easier versions of caring, like taking care of a baby or helping an old lady cross the street.  So, if your character is a nice person, just make sure we can see them doing something that shows that they care for others.  They will get brownie points from your readers for their trouble.

Think about a novel your recently read that you loved. What did the main character care about?

_JenniFer____EatoN

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How to make Your Reader Care About Your Character #2

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal

Ugh. Goals. We all have them, right? We all have something we need to do every day. Some goals we like, others we labor over.  The point is, we can all relate to having to do something.

If your character is wandering around in circles with no clear intent, the reader will not be able to engage.  Even before the inciting incident that is the real start to your story… your character has to have a reason for being… a goal of something that needs to be done (it can be simple, like making dinner)

But soon you should hit the “big goal” that will carry your reader along for the rest of the journey. We have to know what the goal is and have a vested interest in the character getting there.

By the way, the “big goal” needs to materialize in the first 25% of the book or earlier.  This may seem like a given to most of you, but I’ve read some works in progress lately where the author did not understand this. Think about your character’s goal, and make sure it is apparent to the reader.

Everyone wants something.

A reader can connect and care if they have the opportunity to root for your character to get what he/she wants.

So go ahead, give them a goal!

What was the character’s goal in your favorite novel? Do you think this is what made it your favorite?

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How to make Your Reader Care About Your Character #1

I was cleaning off my desk this weekend and I came across a handout from a seminar or class that I don’t even remember taking.  I read through the page and considered my current work in progress.  I’m pretty sure that by this time in my career I am doing what the handout recommends as an almost instinctual part of my writing process.

I almost tossed the paper, but thought there may be some people out there who could benefit from these notes.  And, of course, I tend to learn stuff myself when I write out and analyze notes for posts, so let’s see what happens.

To keep things  short, I will break this topic into 5 separate posts.  One thought to chew on at a time.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

All right:  Creating a character people care about:

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  Everyone in the world has relationships. They can be good, bad, or just tolerable, but you know what a relationship is, and so does your reader. Seeing a character in a relationship is an easy way to help a reader connect.

Let’s think over some memorable relationships.  I’ll grab a character most people know.

Harry Potter.

Harry lives with his aunt and uncle. Wow, they do not treat him well, do they? Have you ever been treated unfairly? Have you every had to put up with it because you had no choice? Have you ever wished a magic letter would show up and scoot you away? (Well, I’m sure the answer is “yes” to most of what I said, anyway.)

Giving Harry this horrible home life helps us to INSTANTLY connect with him. We feel sorry for him and want him to live up to his potential.  If Harry can overcome the odds, maybe we can, too.

Do you see how quickly and easily the connection is made? In the first few scenes we totally care and we are engaged.

Relationships. Use them.

And if your character is stranded on a deserted island, have him draw a face on a ball so he has someone to talk to. Yes, that has been done, but that helped you to connect as well, right?
Relationships are one of the easiest ways to help your readers care about your characters.

How have you used relationships to develop your characters?

_JenniFer____EatoN

Writing Madly to a Deadline, and then NOT submitting

I recently jumped into the running for another anthology, which means writing to a tight deadline.  I tripped up my schedule for a few weeks, finalizing my novel for the Amazon Break Through Novel Contest, and was two-weeks behind schedule. I DID finish in time (barely), but now I sit here the day before the deadline, with a completed manuscript in my hands, second guessing myself.

Do I think it’s not good enough?  No.  The opposite.  It’s tight. It’s precise….

And if you could have seen the look on my son’s face after reading it— Dang.  I haven’t seen him this excited about something since finishing the Hunger Games (Not that mine is even remotely like the Hunger Games)

So what’s the problem?  Submit the dern thing!

Here’s my problem… It’s too long.  I did not make the word count.  I contacted the publisher, and they said they would consider it at the higher word count, but it definitely would have to be cut down by 1500 words for publication in the anthology (If it were chosen)

I searched for those 1500 words, and found a possible 500 to cut, but editing out those 500 would have affected the “mood” of the story.  And if another 1000 words were cut after that, the whole story would seem rushed.

If my son had said “Meh, it’s okay.  I’ve read better.” (Which he has done to me in the past) I would have sliced and diced the 1500 words out of the story and sent it in.

But he didn’t say that.  He asked for more.  My kid the voracious reader said:  “It was really great.  I’ve never read anything like that before.  When will you write another one?”

I thought about what those forced changes would do, and decided to take the creative high road.  I am passing on the anthology, and am now embarking on a search for a publisher of Young Adult Paranormal Short/Novellas.

Ugh!  I hate passing up an opportunity, but I think this particular story needs to find a more suitable home than the confines of an anthology.

I am all for editing… all stories need to be edited, but I don’t want to “cut” just for the sake of “cutting”.  I’d rather have words cut because they don’t belong there… not because there is a stipulation on word count.

Have you ever found yourself in a situation like this?

If not, do you think you’d submit anyway, or search for a new home?

_JenniFer____EatoN

Write a Story With Me #32 – Janelle’s Choice with Shannon Christensen

Last week the baby finally arrived, but it looks like Mommy is in big trouble!  Will she be okay?  Let’s find out!

Take it away Shannon!

32- Shannon Christensen

Janelle hesitated.

If she followed Morana’s instructions to get help, Natalia might live and the boy might grow up healthy, wealthy, and destructive. This baby could destroy them all – fairies and humans, regardless of Janelle’s help.

She considered this. The boy could turn out to be like Marci, and could be helpful to Janelle’s people. Then again, maybe not. If he were more like Bethany, then all the risks and sacrifices made by Marci, by Sian, by Janosc, by herself and so many others would be futile.

She did not have to help. She should not have helped earlier by bringing Morana. Certainly, the humans would not have helped a fairy mother. She could simply leave Natalia and the boy in Morana’s care and let luck or fate have her way.

Natalia moaned again and Morana pleaded.

Janelle watched.
As a mother, Janelle sympathized with the compulsion to care for an infant. As Marci’s friend, Janelle sympathized with the potential loss of a family member. As the new queen of the fairies, however, she understood that her own feelings were nothing compared to her peoples’ needs. She had accepted this when she ate the leaf. She had not expected to have to act so quickly on this new prioritization.

Janelle sighed. She would do what was best for the many, and not only the few.

“No.”

“But, you must!”

“No. I must not.” Janelle turned and flew away from the house for the last time.

Write a Story with Me is a group endeavor just for the fun of it.  A different writer adds a new 250 words each week.  It is the ultimate Flash Fiction Challenge!

If you’d like to sign up, come on over.  There’s always room for more!

Part One – Jennifer M. Eaton

Part Two – J. Keller Ford

Part Three – Susan Roebuck

Part Four – Elin Gregory

Part Five – Eileen Snyder

Part Six – Mikaela Wire

Part Seven — Vanessa Chapman

Part Eight — Ravena Guron

Part Nine – Vikki Thompson

Part Ten — Susan Rocan mywithershins

Part Eleven — Kate Johnston  AKA 4AMWriter

Part Twelve — Julie Catherine

Part Thirteen — Kai Damian

Part Fourteen — Richard Leonard

Part Fifteen — Sharon Manship

Part Sixteen – Shannon Blue Christensen

Part Seventeen — Bryn Jones

Part Eighteen — Jennifer M. Eaton

Part Nineteen — Shannon Burton

Part Twenty — J.Keller Ford

Part Twenty-One — Susan Roebuck

Part Twenty-Two — Elin Gregory

Part Twenty-Three — Aparnauteur

Part Twenty-Four — Vanessa Chapman

Part Twenty-Five — Ravena Guron

Part Twenty Six — Susan Rocan

Part Twenty Seven — Kate Johnson AKA 4AMWriter

Part Twenty Eight – Julie Catherine

Part Twenty Nine — Kai Damian

Part Thirty — Richard Leonard

Part Thirty-One — Sharon Manship

Part Thirty-Two — Shannon Christensen

Don’t forget to stop by next week to see what happens next.

Danielle Ackley McPhail — TAG!  You are “It”

Critique Blog Hop #3 – 250 words from my YA Urban Fantasy

Sunday_Snippets

Oh Yeah!  It’s the  Sunday Snippets Critique Blog Hop!

In this hop, participants post 250 words of their work in progress to be critiqued.  Then everyone hops around to critique others.  Don’t have a post of your own?  We’d love a critique anyway!  And next time you can sign up yourself (see below)

swish swivel squiggle 2

Okay… Here’s mine.  This is the second 250 words of my new YA Urban Fantasy: “The First Day of the New Tomorrow”.  In the First 250 words, Maya is in the bathroom getting ready for school.  She put on her glasses, and her vision got blurry.

swish swivel squiggle 2

“What the…” She grabbed the counter and pulled the metal frames from her face.  The room slipped into perfect crisp focus again.  Three slow breaths calmed her only slightly.

A ray of sunshine poked through the white lace curtain, landing on a towel beside the bathtub.  A spider web clung to the ceiling, holding more dust than forgotten prey.  Three nails popped through the wall near the door—all normal things, except she could see them clearly—just as clearly as she could see her glasses perched on the counter before her.

“Okayyy…”  She lifted the spectacles to her eyes, crinkling her nose as the world blurred before her. She stared at the lenses.  “Teenager’s eyesight clears up overnight.  News at eleven.”  She smiled and slipped the glasses into her pocket.  “I’m certainly not complaining.”

She trudged down the stairs and found her mother’s obligatory, “Don’t forget to eat breakfast” note fastened to the refrigerator door—as if she’d even look at the fridge if she weren’t already in breakfast mode.

Rifling past the food savers and soda cans, she sighed.  Would a few eggs be too much to ask for? She grabbed the milk and closed the door.  Cereal would have to do.  Spinning, she pursed her lips, seeing the nearly empty Cheerios container on the counter.  Great.  Eat breakfast, but I’m not leaving anything for you to eat.

She reopened the refrigerator and startled.  Three eggs lay beside last night’s spaghetti sauce, neatly balancing on the wired shelving.  How the heck could she have missed them before?

“Okay, eggs it is.”

swish swivel squiggle 2

The Sunday Snippets Critique Blog Hop is on!

Want to join up? Click here for the rules, and leave a comment to have your name added to the list.  The more the merrier!swish swivel squiggle 2

Click on over to these great writers to check out and critique what they’ve posted!

http://mermaidssinging.wordpress.com/

http://caitlinsternwrites.wordpress.com/

http://ileandrayoung.com

http://wyrmflight.wordpress.com/

http://www.mandyevebarnett.com

http://womanbitesdog.wordpress.com/

http://jennykellerford.wordpress.com

http://jennifermeaton.com/

http://richardleonard.wordpress.com

http://jordannaeast.com

http://letscutthecrap.wordpress.com

http://threepiecebikini.blogspot.com/

http://itsjennythewren.wordpress.com/

http://writerscrash.blogspot.co.uk/

http://wehrismypen.wordpress.com

http://wordsbreathedupon.wordpress.com/blog/