Tag Archives: literary agent

Unexpected High Points While You’re Waiting on a Submission

The torment of waiting can have its high points

The clock is ticking on a manuscript I submitted now 51 days ago. Within another week (hopefully) I will hear something. It’s good they have it a long time, right? If they hated the first few pages, they would have stopped reading and rejected it by now. Right?

Right? Right? Right?

But what if they are just behind? What if the editor has been out sick, and papers have piled up? What if she gets back from a vacation or something and then just rejects everyone just to get current again!?????

Ergghhhhhh!

It can totally get to you. I swear.

Anyway, I got a bright little flicker of hope today.

In response to an earlier query, I got a request for full from another publisher I’ve targeted for their awesomeness. For non-writerly-types, that means they have asked to read the entire manuscript.

Yay!

It feels good, having my completed manuscript in the hands of two publishing houses that I have had my eye on for a while. But even with a few successes under my belt, I still bite off my nails.

Publishing is so subjective.

Woman Erg PitchforkThey could take a manuscript just because their boss yelled at them and said “More aliens!”

Likewise, they can reject a fantastic manuscript because they spilled their coffee, missed the bus, or their boss just yelled at them: “We have enough aliens!”

It can leave you pulling your hair out. I swear it can.

Go_through_the_motions

So now I am at Day 51 with one publisher, and Day One with another publisher.

And the waiting goes on.

Anyone have any antacid? I ran out a week ago.

_JenniFer____EatoN

“I’m sending My Novel Out to Query.” Are you sure you want to do that?

I just got an email that really disturbed me.  No, it was not from one of those creepy guys on Facebook who friends you and then sends you scary PMs… This was from someone I actually know.  Well, cyber-know at least.

This person is a critique partner. Someone working on their first book.

What did the email say that disturbed me so much?

“I’m going to send this out to agents. Can you look at my query and synopsis?”

OMG.

Was I worried about helping with a query and synopsis?  Nope. Not at all. I do it all the time.

So what was it that drove a jagged, rusty bar through my heart?

“I am going out to query.”

I feel incredibly thankful for that little angel on my shoulder who whacked me upside the head two years ago and said “Don’t do it. Your novel sucks.”

Some people, unfortunately, do not have a little angel. Or if they do, they’re not listening.

A quote from Dan Blank keeps coming to mind.  It’s something like: “Writing a book for the sake of writing a book is a worthwhile experience. Not all books should (or need) to be published.” (I totally paraphrased that)

Anyway. I’d like to remind everyone that a sizable number of first novels should be placed in a drawer and never thought of again. Call them a learning experience. A small portion of these can be resurrected, but should be used as an outline and completely rewritten. I would guess that less than one percent are worthy of publication.

But does it hurt to try?

Jury is out on that.  If you have countless hours to waste researching agents/editors and then have even more hours to send a manuscript out that has no chance at all at publication – more power to you. The chances of them remembering you and instantly deleting your second or third manuscript are slim, right?

(Did that last paragraph seem slightly jaded?  If so, GOOD. It was meant to.)

My other big worry is that after a few rejections, instead of shelving manuscripts that are not ready, authors will turn to self-publishing. [Cringe] The thought makes me shiver.  You think critique partners can be harsh?  Try a review from someone on Amazon who is angry at you for wasting their time or money.  Have you read those kind of reviews?  I feel so sorry for those authors!

(Aside: For the record, I think self-publishing is great… If you are ready and have received professional line editing and copy editing)

It took me 17 drafts of my first novel before I decided to shelf it.

Two years of work, sitting on a shelf collecting dust.

Was it worth it?

 

Totally!I learned tons from the experience.  I took what I learned to my NEXT novel.  And when that was done, I took what I learned from writing my second novel into my third novel (all the while pumping out novellas and shorts and getting professional feedback) And I took all of that experience and dove into my fourth novel.

Each. Got. Better.

And even after I thought “maybe my novel is good enough” I was STILL shy of certain agents, and ESPECIALLY my target publisher.  It was not until agents or editors started saying things like:

 “Your writing is strong, but I do not have a place for science fiction right now”

or things like:

“This is not for me, but if you have another book in “xxxx” genre please send it directly to me at [insert email address]”

… that I started sending out to the agents and houses at the “top” of my wish list. And by the way – They ARE NOT reviewing my first novel. That is still safely sitting on my shelf, waving and smiling at me every day.

My point is, don’t feel pressured to publish your first novel. If you are serious about writing, and you are unsure, just move on to the next one. I guarantee novel #2 will be better.

But if you do decide to go for it, good luck!  I wish you all the best, and totally hope you are in that one percent of shining stars.

JenniFer_EatonF

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The Results Are In! How Did Others Do With Their Breathless Critiques?

The results are in, and here’s how things panned out…

swish swivel squiggle

7.12% – “Other”

7.14% – Received few/unhelpful comments. They did not mention anything about submitting again

21.43% – Received useful comments, but they did not mention anything about submitting again

28.57% – Received comments and an invitation to send a query once they were done.

35.71% – Fast tracked – asked to send in the full manuscript as soon as it is complete.

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Interesting.  It seems a lot of people were fast tracked.  That means there must be some sparkly manuscripts out there.  I wonder what the stats are of “fast tracked” manuscripts that actually end up published?

The world may never know.

Thanks for contributing!

swish swivel squiggle

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How to make Your Reader Care About Your Character #5

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal (See previous post)

3.       Caring about others (See previous post)

4.       A special gift or talent. (See previous post)

5.       A handicap

Oooooo.  That’s a good one.

Here’s a good one. Even though you might not be handicapped, you can imagine what it would be like, right?  You feel for someone with a disability.

This came up recently in a comment on my blog, when someone mentioned that the horrid character on the TV show House was softened because he had a handicap.

How about a phobia?

A phobia is a good one two… something they need to overcome in order to fulfill their purpose of hero in the story.

Or something even more simple and relatable

Maybe it is something simple, like they need to run for their lives and the only car available to flee in has a stick shift, but the character does not know how to drive a stick.

Anything wrong with your character is an easy way to make them relatable. No one wants to read about someone who is perfect, right?

Unless you are Mary Poppins.  (But she was only practically perfect, right?)

That’s it!

Five ways to create the ever-important care-factor.  Give your readers characters that they can care about, and they will scream for more!

Think about the main character in your favorite novel. Pinpoint exactly what it was that made you engage with them. What was it? Come on, share the ideas!

_JenniFer____EatoN

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How to make Your Reader Care About Your Character #4

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal (See previous post)

3.       Caring about others (See previous post)

4.       A special gift or talent.

A special gift or talent can be tricky

This one can be tricky, but it can be used when the others fail. A special talent, I think, needs to be part of the plot to make it work.  Like a person loves to draw, so we want to see them become a successful artist.  If they don’t, then why did they have the talent mentioned in the story to begin with?

Make sure it has meaning

This needs to be all about fulfillment. They need to use the talent to make something happen in the story.

Yes, this could be a great device, but be careful to make sure it fits inside your plot and story arc.

What recent special talent have you read that really drew you in to a novel?

_JenniFer____EatoN

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How to make Your Reader Care About Your Character #3

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal (See previous post)

3.       Caring about others

Even the most horrible person on the planet has to care about someone, right?

Well, maybe not the most horrible person on the planet. I suppose you could create a noteworthy character who does not care about others, but the more I think of it, even the greatest villains of all time cared about something.

A villain can be a big softie

The guy in Psycho was pretty twisted, but that was okay, because he really loved his grandma. The Dude in Despicable Me wanted to be the greatest villain of all time, but these kids that he cared about kept getting in the way.
I think the idea is that in most cases everyone cares about someone. It may be trivial, or it may be gruesome, like keeping your beloved dead grandma… but it is that “care factor” that a reader can relate to.

Taking the easy way out

The handout talks about easier versions of caring, like taking care of a baby or helping an old lady cross the street.  So, if your character is a nice person, just make sure we can see them doing something that shows that they care for others.  They will get brownie points from your readers for their trouble.

Think about a novel your recently read that you loved. What did the main character care about?

_JenniFer____EatoN

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How to make Your Reader Care About Your Character #2

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal

Ugh. Goals. We all have them, right? We all have something we need to do every day. Some goals we like, others we labor over.  The point is, we can all relate to having to do something.

If your character is wandering around in circles with no clear intent, the reader will not be able to engage.  Even before the inciting incident that is the real start to your story… your character has to have a reason for being… a goal of something that needs to be done (it can be simple, like making dinner)

But soon you should hit the “big goal” that will carry your reader along for the rest of the journey. We have to know what the goal is and have a vested interest in the character getting there.

By the way, the “big goal” needs to materialize in the first 25% of the book or earlier.  This may seem like a given to most of you, but I’ve read some works in progress lately where the author did not understand this. Think about your character’s goal, and make sure it is apparent to the reader.

Everyone wants something.

A reader can connect and care if they have the opportunity to root for your character to get what he/she wants.

So go ahead, give them a goal!

What was the character’s goal in your favorite novel? Do you think this is what made it your favorite?

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How to make Your Reader Care About Your Character #1

I was cleaning off my desk this weekend and I came across a handout from a seminar or class that I don’t even remember taking.  I read through the page and considered my current work in progress.  I’m pretty sure that by this time in my career I am doing what the handout recommends as an almost instinctual part of my writing process.

I almost tossed the paper, but thought there may be some people out there who could benefit from these notes.  And, of course, I tend to learn stuff myself when I write out and analyze notes for posts, so let’s see what happens.

To keep things  short, I will break this topic into 5 separate posts.  One thought to chew on at a time.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

All right:  Creating a character people care about:

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  Everyone in the world has relationships. They can be good, bad, or just tolerable, but you know what a relationship is, and so does your reader. Seeing a character in a relationship is an easy way to help a reader connect.

Let’s think over some memorable relationships.  I’ll grab a character most people know.

Harry Potter.

Harry lives with his aunt and uncle. Wow, they do not treat him well, do they? Have you ever been treated unfairly? Have you every had to put up with it because you had no choice? Have you ever wished a magic letter would show up and scoot you away? (Well, I’m sure the answer is “yes” to most of what I said, anyway.)

Giving Harry this horrible home life helps us to INSTANTLY connect with him. We feel sorry for him and want him to live up to his potential.  If Harry can overcome the odds, maybe we can, too.

Do you see how quickly and easily the connection is made? In the first few scenes we totally care and we are engaged.

Relationships. Use them.

And if your character is stranded on a deserted island, have him draw a face on a ball so he has someone to talk to. Yes, that has been done, but that helped you to connect as well, right?
Relationships are one of the easiest ways to help your readers care about your characters.

How have you used relationships to develop your characters?

_JenniFer____EatoN

Did you participate in #WriteOnCon? Wow, what a rollercoaster

For the past week, I have been knee-deep in WRITEONCON.

Someone recommended it to me last year, but I passed.  This year, I am so glad I didn’t let it slip by.

WriteonCon http://writeoncon.com/ is an on-line writer’s conference.  You can post your query for critique, your first page, and your first five pages.

You get critiques on your entries for a week, polish them, and then for two days “ninja agents” comb through the queries.

For two days, WriteOnCon is jam-packed full of live events where you can pitch to agents, and ask agents and publishers questions.  Not to mention great seminars.

Did you miss it?  Don’t make the same mistake I did last year and pretend it never happened, and not even check it out.  You can see the live tapes of the agent session (where they tell you what’s hot, what’s not, and what they do and don’t want to see)  You can also view all of the sessions.

They are just as valuable after the fact as they were live, so I greatly suggest you check it out.

You won’t be disappointed.

And next year… join the chaos.

Oh, and a fine hello to the 52 new friends who joined my followers on day one.  Nice to see you!

JenniFer_EatonF

Writers: Don’t worry about the Statistics

I came across this article that really hit home.

Why statistics discourage prospective writers

We all hear the statistics.  1 in 500… 1 in 5000… 100,000 novels are being queried right now.  They are all scary.  Many people are daunted by this.

This article points out something that I hadn’t thought of.  Think it over.  All of us have at least one friend who is querying thinking there novel is great, and they are getting rejected.  I talked to someone the other day doing this and the only other person whose read her novel is HER HUSBAND.  Really?  What are you thinking?

Now, if all of you count up their one or two friends who refuse to get beta readers, and are SURE they are geniuses without getting a lick of feedback… are you counting them up? Are you getting a mental picture?  Get my meaning?

This is what I am getting at.  So what if you and 499 other people query at the same time.  If 300 of these are sub-standard, your chances just increased, didn’t they?

If 50 of the remaining 100 had bad queries, or boring plots, your chances just increased, didn’t they?

What you have to ask is this… Are you destined for the slush pile, or are you one of then ten that the agent or publisher is actually going to read?

Make your choice now, and work hard to get yourself out of the slush pile, and onto that agent’s desk.