Tag Archives: publish

When you are lucky enough to have choices. Stuff to thing about

When searching for a publisher, many authors target who they want, but settle for who will publish them.  Right?  This week, I found myself in the thrilling and cushy position of having a choice after being offered multiple contracts for Paper Wishes.

What’s Paper Wishes?  Ha!  I’m glad you asked!  Paper Wishes is the re-envisioning of Jack and Jill Volume One.

As most of you know, Still Moments Publishing was purchased by another publishing house on March 15, and Jack and Jill was not one of the titles automatically shifted under their fold.

This was not a huge surprise to me, as Jack and Jill was not traditional Romance.  The book really was a better fit for Christian Romance, so the minute I got my rights back, I began querying Christian Publishers.

Now – should this happen to anyone else, be prepared because the greater percentage of publishers out there (at least in Christian) DO NOT WANT previously published work.  This surprised me at first.  I had the nicest discussion with a really big house that liked my work, but had to decline because it had been published too recently.

But they were really a long shot anyway… and not so much on my radar.  I was mainly focused in on one publisher that I contacted the day Still Moments made the announcement.  I spoke with this publisher, explained my predicament, and we chatted about the publishing business in general for a while before I had even sent them my work.  We were very much on the same page, so I bit my nails as I sent them my submission, and to a few other houses as well.

Less than a week later, I had two contract offers, and a third arrived last night. I have the luxury of matching up what each publisher has to offer, and also weighing the changes each publisher wants. (Yes, there will be changes)

Requested Changes:

1.        Two of them want the cursing removed – and for anyone who has read my work, I really don’t curse.  But what I WILL have to remove is dernit, darn, gosh, Hell, heck … anything even remotely looking like an explicative.

2.       I will need to tone down the make-out scene to bring it more within the boundaries of Christian novels.

3.       One of the publishers wants me to change it from First Person to Third Person.

So I am weighing the required changes alongside royalties, distribution, foreign rights, cover design, print rights and overall package offered.

It’s wonderful place to be, and I hope to be making an announcement shortly.

JenniFer_EatonF

Write a Story With Me #32 – Janelle’s Choice with Shannon Christensen

Last week the baby finally arrived, but it looks like Mommy is in big trouble!  Will she be okay?  Let’s find out!

Take it away Shannon!

32- Shannon Christensen

Janelle hesitated.

If she followed Morana’s instructions to get help, Natalia might live and the boy might grow up healthy, wealthy, and destructive. This baby could destroy them all – fairies and humans, regardless of Janelle’s help.

She considered this. The boy could turn out to be like Marci, and could be helpful to Janelle’s people. Then again, maybe not. If he were more like Bethany, then all the risks and sacrifices made by Marci, by Sian, by Janosc, by herself and so many others would be futile.

She did not have to help. She should not have helped earlier by bringing Morana. Certainly, the humans would not have helped a fairy mother. She could simply leave Natalia and the boy in Morana’s care and let luck or fate have her way.

Natalia moaned again and Morana pleaded.

Janelle watched.
As a mother, Janelle sympathized with the compulsion to care for an infant. As Marci’s friend, Janelle sympathized with the potential loss of a family member. As the new queen of the fairies, however, she understood that her own feelings were nothing compared to her peoples’ needs. She had accepted this when she ate the leaf. She had not expected to have to act so quickly on this new prioritization.

Janelle sighed. She would do what was best for the many, and not only the few.

“No.”

“But, you must!”

“No. I must not.” Janelle turned and flew away from the house for the last time.

Write a Story with Me is a group endeavor just for the fun of it.  A different writer adds a new 250 words each week.  It is the ultimate Flash Fiction Challenge!

If you’d like to sign up, come on over.  There’s always room for more!

Part One – Jennifer M. Eaton

Part Two – J. Keller Ford

Part Three – Susan Roebuck

Part Four – Elin Gregory

Part Five – Eileen Snyder

Part Six – Mikaela Wire

Part Seven — Vanessa Chapman

Part Eight — Ravena Guron

Part Nine – Vikki Thompson

Part Ten — Susan Rocan mywithershins

Part Eleven — Kate Johnston  AKA 4AMWriter

Part Twelve — Julie Catherine

Part Thirteen — Kai Damian

Part Fourteen — Richard Leonard

Part Fifteen — Sharon Manship

Part Sixteen – Shannon Blue Christensen

Part Seventeen — Bryn Jones

Part Eighteen — Jennifer M. Eaton

Part Nineteen — Shannon Burton

Part Twenty — J.Keller Ford

Part Twenty-One — Susan Roebuck

Part Twenty-Two — Elin Gregory

Part Twenty-Three — Aparnauteur

Part Twenty-Four — Vanessa Chapman

Part Twenty-Five — Ravena Guron

Part Twenty Six — Susan Rocan

Part Twenty Seven — Kate Johnson AKA 4AMWriter

Part Twenty Eight – Julie Catherine

Part Twenty Nine — Kai Damian

Part Thirty — Richard Leonard

Part Thirty-One — Sharon Manship

Part Thirty-Two — Shannon Christensen

Don’t forget to stop by next week to see what happens next.

Danielle Ackley McPhail — TAG!  You are “It”

Give that Publisher What They Want DERNIT: The Basics #2 – Identifiers

We interrupt this post to announce that USA Today is featuring my anthology “For the Love of Christmas” in a blurb in their “Life” Section.  Can I hear an “Oh Yeah!” Click here to see it!

Eh-hem — now back to our regularly scheduled program.

I am uber stoker to be able to dig into the wild and crazy brain of someone who is out there doing this crazy publishing stuff professionally. When you read this, you’re gonna want to slap yourself silly, because this is hearing it right from someone who does this for a living. For the next few weeks, we will be delving into the slush pile with Danielle Ackley-McPhail

Here we go…

The Writer’s Toolbox: Give ’Em What They Want! Why Formatting Is Important By Danielle Ackley-McPhail

(Originally published in Allegory Magazine ©2011)

—————————————————————–

So far, we’ve discussed that nothing will help your manuscript if the editor in question is not even willing to read it.

Last week, we discussed remembering your contact information.

This week, we’re going to dig through the second basics to get your foot in the door… How to identify yourself, and your manuscript.

The Basics #2

Identifiers. To simplify I’m grouping several things under this heading, so bear with me.

Title – you would be amazed how many people neglect to put titles on their manuscripts (coincidentally enough, more than a few of them are the ones who forgot contact information as well).

Name – your pen name or your legal name, whichever one you write under. Editors like to know whose work they are reading and what should appear on a published work (should you be fortunate enough to make a sale.) The problem is that if the contact information is missing and there is no title or author name, the publisher has absolutely no way of cross-referencing to try and determine what story goes with which submission email (assuming they will even try).

Page Numbers – now you might be thinking “But manuscripts are electronic, how can the pages get out of order?” Well first, you can’t assume that whoever receives the manuscript won’t prefer to review a hardcopy. Second, even if they are reviewing something electronically it is easier for them to make notes or track back if there are page numbers to reference.

Running Heads – This is the space at the top of the page (starting with page 2) where you put the story/book title, the page number, and your legal last name. This is so no pages go missing and the editor knows what they are reading.

Author Bio – Optional, but a good thing to include, particularly if you have a few sales under your belt, but only if they are professional sales of note, not a piece of flash fiction you sold to a fanzine. What this tells the editor is that you are already established.

Besides the more practical reasons for not omitting any of the above information, consider that it is just plain sloppy and unprofessional. This isn’t a matter of wanting to impress the editor, it is showing them that you are not an amateur without a clue. Professionalism will do much to smooth over any other short fallings you have, in the editor’s eye.

Next week we’ll talk about FORMAT

Be there or be square, or, ummm… rejected?

Award-winning author Danielle Ackley-McPhail has worked both sides of the publishing industry for over seventeen years. Currently, she is a project editor and promotions manager for Dark Quest Books.

Her published works include four urban fantasy novels, Yesterday’s Dreams, Tomorrow’s Memories, Today’s Promise, and The Halfling’s Court: A Bad-Ass Faerie Tale. She is also the author of a single-author collection of science fiction stories called A Legacy of Stars, the non-fiction writers guide, The Literary Handyman and is the senior editor of the Bad-Ass Faeries anthology series, Dragon’s Lure, and In An Iron Cage. Her work is included in numerous other anthologies and collections, including Rum and Runestones, Dark Furies, Breach the Hull, So It Begins, By Other Means, No Man’s Land, Space Pirates, Space Horrors, Barbarians at the Jumpgate, and Mermaid 13.

She is a member of the New Jersey Authors Network and Broad Universe, a writer’s organization focusing on promoting the works of women authors in the speculative genres.

Danielle lives somewhere in New Jersey with husband and fellow writer, Mike McPhail, mother-in-law Teresa, and three extremely spoiled cats. She can be found on LiveJournal (damcphail, badassfaeries, darkquestbooks, lit_handyman), Facebook (Danielle Ackley-McPhail), and Twitter (DAckley-McPhail). To learn more about her work, visit http://www.sidhenadaire.com, http://www.literaryhandyman.com, or www.badassfaeries.com.

Website and/or blog www.sidhenadaire.com, http://lit_handyman.livejournal.com, http://damcphail.livejournal.com

Twitter https://twitter.com/#!/DMcPhail

Facebook http://www.facebook.com/#!/danielle.ackleymcphail

Amazon author page   http://www.amazon.com/Danielle-Ackley-McPhail/e/B002GZVZPQ/ref=sr_ntt_srch_lnk_1?qid=1331314265&sr=8-1

Goodreads http://www.goodreads.com/author/show/989939.Danielle_Ackley_McPhail

http://www.badassfaeries.com/

http://www.sidhenadaire.com/

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Oh my gosh, I am such a wuss. I don’t think I can do this

Have you ever written something, thought it was great, but had second thoughts?  Ugh.  I am soooo there right now.

I’ve mentioned a few times that I’m working on a Paranormal called Une Variante.  I am a Fantasy writer at heart, but I like to stretch myself.  My first publication (Last Winter Red) is a Dystopian, and my second and third publications are contemporary “Sweet” Romances.

So why the second thoughts about Une Variante?  Well, the problem is that there is a heat rating.  It’s not kinky or anything, but there is definitely and “open door” to the bedroom.

Having always “faded to black” in the past, I am understandably nervous about this.  I have two people lined up to do a full beta on Une Variante as soon as it is complete. I’ve asked them because one looks for open door romances for her recreational reading, and the second is a writer of open door (and far worse kinkier stuff).

That aside….. Today, I sent the first ten pages to my local critique group.  You know what I did?

**blush**

I CENSORED MYSELF. [Smacks head on desk]

What am I doing?  Ugh.  I just couldn’t send it out in its “True glory”.

Now, part of the problem is that the word count would have dropped them right in the middle of “the scene”.  I didn’t want my critique session to be just “about that”, and I was afraid it would deter from what I really wanted … which was a critique of the beginning.

I considered asking if anyone would find it offensive, and just send “the scene” to people who wanted to read it… but I wussed about that too.

I gotta admit that I also didn’t want to look into the eyes of people after them just having read “that”.  Ugh… I am such a wuss.

Part of me is hoping that the Romance Reader and Erotica Writer tell me that the heat scene stinks, because that would give me an excuse to fade it to black.

[smacking myself again]

Have you ever had second thoughts about something you’ve written?

Give that stinking publisher what they want, DERNIT! The Basics #1 – Contact Information

I am uber stoker to be able to dig into the wild and crazy brain of someone who is out there doing this crazy publishing stuff professionally. When you read this, you’re gonna want to slap yourself silly, because this is hearing it right from someone who does this for a living. For the next few weeks, we will be delving into the slush pile with Danielle Ackley-McPhail

Here we go…

The Writer’s Toolbox: Give ’Em What They Want! Why Formatting Is Important By Danielle Ackley-McPhail

(Originally published in Allegory Magazine ©2011)

—————————————————————–

Last week, we discussed that nothing will help your manuscript if the editor in question is not even willing to read it.

This week, we’re going to dig through “the basics” to get your foot in the door, even if you don’t have their requirements right in front of you.

The Basics #1

Contact information. No matter who you are sending your work to or how many times you have sent them work before, you always—let me repeat that—ALWAYS include your full contact information in the upper left hand of the page. (The editor could be your brother, and you should still follow this rule, if nothing else but because it is common courtesy and shows you respect the relationship between hopeful author and potential publisher.)

If you aren’t sure what is considered full contact information, here it goes: legal name, mailing address, email address, and optionally, phone number. I can’t tell you how many times I have received manuscripts without this information. Usually from an author I’ve worked with before, but not always. See, we fall into a trap of informality thanks to the internet. With so many manuscripts being submitted electronically we don’t always consider that the email might become disassociated with the manuscript file, thus leaving the publisher no way to contact the author. Bad enough when what is forthcoming is a rejection. An absolute tragedy when they want to send you an acceptance. Face it…they have to know where to send the contract…or the check!

Next week we’ll talk about the basics #2:  IDENTIFIERS

Be there or be square, or, ummm… rejected?

Award-winning author Danielle Ackley-McPhail has worked both sides of the publishing industry for over seventeen years. Currently, she is a project editor and promotions manager for Dark Quest Books.

Her published works include four urban fantasy novels, Yesterday’s Dreams, Tomorrow’s Memories, Today’s Promise, and The Halfling’s Court: A Bad-Ass Faerie Tale. She is also the author of a single-author collection of science fiction stories called A Legacy of Stars, the non-fiction writers guide, The Literary Handyman and is the senior editor of the Bad-Ass Faeries anthology series, Dragon’s Lure, and In An Iron Cage. Her work is included in numerous other anthologies and collections, including Rum and Runestones, Dark Furies, Breach the Hull, So It Begins, By Other Means, No Man’s Land, Space Pirates, Space Horrors, Barbarians at the Jumpgate, and Mermaid 13.

She is a member of the New Jersey Authors Network and Broad Universe, a writer’s organization focusing on promoting the works of women authors in the speculative genres.

Danielle lives somewhere in New Jersey with husband and fellow writer, Mike McPhail, mother-in-law Teresa, and three extremely spoiled cats. She can be found on LiveJournal (damcphail, badassfaeries, darkquestbooks, lit_handyman), Facebook (Danielle Ackley-McPhail), and Twitter (DAckley-McPhail). To learn more about her work, visit http://www.sidhenadaire.com, http://www.literaryhandyman.com, or www.badassfaeries.com.

Website and/or blog www.sidhenadaire.com, http://lit_handyman.livejournal.com, http://damcphail.livejournal.com

Twitter https://twitter.com/#!/DMcPhail

Facebook http://www.facebook.com/#!/danielle.ackleymcphail

Amazon author page   http://www.amazon.com/Danielle-Ackley-McPhail/e/B002GZVZPQ/ref=sr_ntt_srch_lnk_1?qid=1331314265&sr=8-1

Goodreads http://www.goodreads.com/author/show/989939.Danielle_Ackley_McPhail

http://www.badassfaeries.com/

http://www.sidhenadaire.com/

Big Publishing House, Small Publishing House… Red Fish, Blue Fish. What the Heck do you do?????

Help me think through this, ‘cause it’s driving me nuts. I’m finishing up my novel, Fire in the Woods. I felt pretty cozy about it going in to the beta process. Now, rounding to home plate, I’m really excited.

I’m excited because, as authors, we always think what we’ve written is great. The Beta Process is usually a slap in the face as reality sets in. For me, the slap was not so hard. Yes, it needed tweaking, but every single beta reader is just as excited about this novel as I am. Wow… it’s a pretty great place to be. (Ten beta-readers, in case you were wondering)

So now I am sitting here with a novel that I am reasonably sure is good enough for a big publishing house. No brainer, right? Send it on out!

This is where I hit a snag. Am I a patient person, or an impatient person?

The truth is, that the big houses that I am interested in… Baen, Daw, Tor, Random House, Entangled (a little smaller) are now — are you ready for this -

ACCEPTING UNSOLICITED MANUSCRIPTS.

Wowzers! No need to take a year to find an agent, and then wait another year to get your stuff read. (If you can get by without an agent-there are pros and cons to this)

Anyway, the problem is that many of these houses do not accept simultaneous submissions. That means they expect you to send your manuscript to them… and only them. Now, this would not be a problem, but all of them, in their submission requirements, give themselves a HUGE timeframe to review novels. I understand that they get a lot of submissions, but you want me to take a year before I even hear back from you? And then if you decide to pass, I’ll need to wait another year to hear back from the next one?

My goal is to have Fire in the Woods traditionally published in printed copy format. I want the perks of professional editing and layout and cover design (etc) However, there are plenty of small houses out there who will read your query in a day, and read your manuscript in a month or so.

So, what, I wonder… other than prestige… would I direct myself to a big house when I have the possibility of getting my novel in the hands of readers in a year, as opposed to two to three years or more?

Hmmm. I think typing this just made things more clear to me.

Anyway… what are your thoughts?

(Self-publishing is not of interest at this time. I don’t have the time or money to do it right)

Give that stinking publisher what they want, DERNIT! Let’s not get all creative now!

I am uber stoker to be able to dig into the wild and crazy brain of someone who is out there doing this crazy publishing stuff professionally. When you read this, you’re gonna want to slap yourself silly, because this is hearing it right from someone who does this for a living. For the next few weeks, we will be delving into the slush pile with Danielle Ackley-McPhail

Here we go…

The Writer’s Toolbox: Give ’Em What They Want! Why Formatting Is Important By Danielle Ackley-McPhail

(Originally published in Allegory Magazine ©2011)

—————————————————————–

Telling the greatest story is not enough.

Having the best grammar is not enough.

Hitting the perfect market trend is not enough.

Nothing is enough if the editor in question is not even willing to read your manuscript.

The Truth about Submissions

Psst! I have a secret for you…well not really a secret, unless you are really new at this, but anyway…here it goes:

Editors look for reasons NOT to read your manuscript.

(ooh…I can just hear a lot of minions going “Wha?!”)

Sorry, it’s true; I’m not making it up.

See, the reality is there are a loads of people that want to be authors. Even though only a small portion of those following the dream ever reach the stage of actually submitting something, that still means that editors of all sorts have piles and piles of things they need to go through. And frankly, most of it is drek. Editors just don’t have the time or inclination to put in extra effort puzzling through a manuscript that only might be acceptable and then cleaning it up afterward. Think about it, the longer the production process takes the longer money bleeds out instead of—with hope—flooding in.

Besides, they want to know you can follow directions and there are very few publishers out there—book or short fiction—that do not have submission guidelines available somewhere. Look for them. And if you don’t find them, ask! You want to stand out because of the quality of your writing, not because your manuscript is an annoyance filled with stylistic errors. The best thing you can do is show that you will make extra effort to meet their requirements.

Of course, even if you don’t have the publisher’s submission guidelines there are plenty of things that are standard.

Next week, We’ll talk about “The Basics”

Tune in! As my son would say, this is Awesomesauce!

Award-winning author Danielle Ackley-McPhail has worked both sides of the publishing industry for over seventeen years. Currently, she is a project editor and promotions manager for Dark Quest Books.

Her published works include four urban fantasy novels, Yesterday’s Dreams, Tomorrow’s Memories, Today’s Promise, and The Halfling’s Court: A Bad-Ass Faerie Tale. She is also the author of the non-fiction writers guide, The Literary Handyman and is the senior editor of the Bad-Ass Faeries anthology series, Dragon’s Lure, and In An Iron Cage. Her work is included in numerous other anthologies and collections, including Rum and Runestones, Dark Furies, Breach the Hull, So It Begins, By Other Means, No Man’s Land, Space Pirates, Space Horrors, Barbarians at the Jumpgate, and New Blood.

She is a member of the New Jersey Authors Network and Broad Universe, a writer’s organization focusing on promoting the works of women authors in the speculative genres.

Danielle lives somewhere in New Jersey with husband and fellow writer, Mike McPhail, mother-in-law Teresa, and three extremely spoiled cats. She can be found on LiveJournal (damcphail, badassfaeries, darkquestbooks, lit_handyman), Facebook (Danielle Ackley-McPhail), and Twitter (DMcPhail). To learn more about her work, visit http://www.sidhenadaire.com, http://www.literaryhandyman.com, or www.badassfaeries.com.

Website and/or blog www.sidhenadaire.com, http://lit_handyman.livejournal.com, http://damcphail.livejournal.com

Twitter https://twitter.com/#!/DMcPhail

Facebook http://www.facebook.com/#!/danielle.ackleymcphail

Amazon author page http://www.amazon.com/Danielle-Ackley-McPhail/e/B002GZVZPQ/ref=sr_ntt_srch_lnk_1?qid=1331314265&sr=8-1

Goodreads http://www.goodreads.com/author/show/989939.Danielle_Ackley_McPhail

http://www.badassfaeries.com/

http://www.sidhenadaire.com/

Road to Publication #20: Setting up the Blog Tours

OMIGOSH, my head is spinning.  Seriously, it is.

I started a few weeks ago, setting up my own dates for the blog tour for the “Make Believe” Anthology.  Then, after the Arcs went out, all of the sudden requests started coming in from people who contacted J.Taylor Publishing asking for interviews.

I’m really glad that I took someone’s advice and found the calendar feature in my email program.  I started making appointments for the different days in December… but December is filling up pretty quickly.

I also have to wiggle in a blog tour for Connect the Dots, coming out from Still Moments Publishing in their “For the Love of Christmas” Anthology the day after the “Make Believe” Anthology releases.

It looks like I’m going to have to double book dates – talking about Connect the Dots on one Web Site, and Last Winter Red on another.

Now, I’m starting to pull my hair out because I have a list of people who I “Cyber know” who I wanted to ask to host the blog tour, and all these dates are filling up fast.

I know, I know, just smack me.  These are good problems.

I am starting to feel what I’ve heard other authors talk about in the past…  Marketing is a full time job, and detracts from your writing.

I had all these lofty goals for when I would finish and submit Fire in the Woods, but they are falling by the wayside.

It’s true what you hear… this really is hard work.

What do you think… Do you hear about books on blogs?  Have you / would you buy a book after hearing about it on a blog?  What would make you interested in buying an anthology?

Road to Publication #18: Reviewing the ARCs, OH NO!

Holy Crud.  This is not happening.  I just found out why you DON’T want to have two works being published at exactly the same time… and even worse… by two different publishers.

I was stunned this morning when the first round edits for Connect the Dots came through. I thought I would have another week.  I have two weeks to finish the ARC edit (the very last edit) of Last Winter Red AND finish the first round edit for Connect the Dots.

Okay.  Breathe.  It’s all good.  This is a great problem to have.  People are going to spit at you for having this problem.  Take a deep breath.  Chocolate helps.  Good.  Relax.

Okay.  No problem.  I can do this.

So… back to Last Winter Red.  I started reading it on Kindle last night.  I made a lot of highlights on the ARC with the handy Kindle Notes feature.

The reason for some of my notes is because my writing style has changed a lot in the last few months since I worked on Last Winter Red, and things don’t seem right to me anymore.

I did find a missing quotation mark at the end of a sentence.  Easy fix (I hope).

What is odd, is every once in a while I stopped and said “Is that what he said?” or “Did I write that?” or “Wait.  That makes absolutely no sense.”

I’m wondering if I even wrote some of these things, or if they were edited to the point of losing “something”.  I want to go through the whole thing, make notes, and then go back to my original copy and see if I need to smack myself upside the head for past mistakes.

Maybe I do.  At this point, I’m not sure what happened.

Either way, I think some more changes are in order.

What makes me cringe over this is that I could have made these changes months ago.  I am tucking this away as a “lesson’s learned” though.

I did have a bad feeling about not reviewing the full version before it went to copy editing.  You know that deep clawing pit-in-your-stomach feeling when you think you lost control of something?

To make sure this doesn’t happen again, I MADE SURE before I signed the contract with Still Moments Publishing for “Connect the Dots” that I WOULD have a chance to review a final before it went to final editing.  Not only that, I will get to see a FULL VERSION as it stands through each round of the editing process.

For a control freak like me, this is a huge relief… because I know I will not be down to the wire and fixing errors I would have seen earlier.

This is not J.Taylor Publishing’s fault either.  It is the way they work.  All publishers are different, and as an author, I need to be ready for this.

What I need to do now is finish reading and marking.  Then I want to go back again reading carefully for spelling/punctuation errors, and then I need to document and changes necessary on  a spreadsheet.

I need to do this within one week, so I can devote the next week to Connect the Dots.

Once again, sleep may become optional.

Jon Gibbs’s Ten things I wish I knew… Final Thoughts – Thanks Jon!

Here are a few quotes from Jon Gibbs that I thought were good little snippets everyone could use.

Thank you again, Jon, for your words of wisdom, and for going out of your way to help aspiring authors to Learn from your Mistakes

1.        Dealing with shyness – He is shy.  He is afraid of public appearances.  To get through it, he imagines his grandmother saying “Okay go home – you will disgrace all your ancestors but that’s fine.”  It helps him to trudge on.

2.       Figure out what works best for you and then do that a lot

3.       Write what you like, even if it seems out of date.  If you enjoy it, someone else will, too.

4.       Winning a contest (small) and putting it in your query letter makes you look like a newbie.  Major awards are okay, though.

5.       Writer’s digest may seem good, but you have to pay to submit.  Don’t pay to submit.

6.       Slush readers trash “Dark and stormy night” openers and don’t read to the next line.

7.       Jon learns more about writing listening to others critique his writing.

8.       Young Adult needs a romantic element to be marketable*

*This is what a publisher told Jon when he was selling Fur Face as YA.  However, a friend of mine was just asked by a publisher to remove the romantic element because it made them uncomfortable.  You never know.

Jon Gibbs is the author of one of my son’s favorite books:  FUR-FACE, which was nominated for a Crystal Kite Award.

Jon is an Englishman transplanted to New Jersey, USA, where he is an ‘author in residence’ at Lakehurst Elementary School.  Jon is the founding member of The New Jersey Author’s Network and FindAWritingGroup.com.

Jon blogs at jongibbs.livejournal.com

Website: www.acatofninetales.com