Tag Archives: Writer Resources

Writing to a Deadline Part 4: “I hate this stinking outline”

Posted on March 19, 2012 | 20 comments

If you’re just hopping into the insanity that is my writing life, check out my previous “Writing to a Deadline” posts or this won’t make sense.

Outlining is not a waste of time

Outlining is not a waste of time

Outlining is not a waste of time

ARGHHHHHH I hate this stinking outline thing!

No!  I am not going to give up.  I have an idea, but I just want to start writing dern it!  I know where I am going.  The outline is in my head.  Just let me GO!

But it’s already in my head.

Don’t you just hate it when you argue with yourself?

My problem is I have precious little time to write.  Half an hour during the day while I’m at lunch.  That’s it.  I just can’t “get into a character’s head” at home (Dog, husband, three kids… you get the idea.)

Writing down this outline when I could be writing the story makes me want to throw things!

In my writer’s group last night we went off-topic, and someone mentioned that after they outlined, the story flew out of their fingers because they knew exactly where every scene was going.  They are probably right.  There is a “bridge” that I need and I am not sure how my character will get there. That is usually the fun part for me… finding out.  The problem is I don’t have the luxury of the time to figure that out while I am writing a scene that might end up getting deleted.  Deadline, remember?

What fun is that?

Erggghhhhhh!

Going back to the outline, now.  I’ll let you know how I do.

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Writing to a Deadline Part 3: “I got something… now what?”

Posted on March 12, 2012 | 13 comments

“I got something… Now what?”

If you’re just hopping into the insanity that is my writing life, check out Parts #1 and #2 or this won’t make sense.

So, I have a main character.  I know who she is.  I’ve written two pages.  She meets a little girl and a dog.

 I stop myself.

Learn from your mistakes, Jennifer.  You need more than this.  You only have two months to write and polish this story for submission.  There is no room for error.  You need an outline.  You need absolute direction and form.  No room for straying.

Was I stuck?  No.  Two drives alone in the car gave me four more characters.  I have their wants, needs, and desires set in my mind.  I know how they will react when meeting my main character.  I know what is going to happen.  I know how it will end.  It wasn’t on paper, but I had an outline.

I went back and looked at the first two pages.  Wow.  They were beautifully written.  Probably the cleanest first draft I’ve ever done.

Too bad they didn’t work anymore.

I took a few key descriptive sentences I liked, and set the rest aside to start over.

In the back of my mind I knew everyone else was three weeks ahead of me.  But I knew where I was going now.  I had focus.

I knew how the story started.  I knew all five character’s motivations.  I knew the plot, and I knew the ending.  In fact, I could picture it.  The publisher gave it to me— it was that odd picture that I could not find a story in three weeks ago.  Funny how that happens, huh?

So, I knew where I was going… Now, I just needed to bring my characters there.

10,000 words writing to a deadline… outside the comfort zone of my genre.

This is the real world.  Here we go.

In the immortal world of Crush the Turtle:   “Let’s see what Little Dude can do.”

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Writing to a Deadline Part 1: “I got Nothing.”

Posted on February 29, 2012 | 33 comments

For the first time since college, I am writing to a deadline.  A publisher’s deadline.  Have I sold my work?  No.  A publisher has opened for submissions in a short window, and I figured, “Why not give it a try?”

The publisher is putting out an anthology.  They have one short story from a published author, and they are looking for more to compliment it.

Here’s the catch.  There’s a writing prompt.  It has to be a story about a particular picture, which I imagine will be the book’s cover… and it has to be a happy ending.

Ugh.  Why couldn’t it be a picture of planets or spaceships with explosions galore?  That I could handle.  This?  My enthusiasm drained as I stared at the interesting piece of artwork.

A vague idea of a story sparked in my head, but it led to death and mayhem—  Definitely not a happy ending.  The picture just didn’t do anything to grip me emotionally.

Wait!—is that a spaceship up there in the top left corner?
Is it? Ugh. No, it’s not. Shoot!

I stared at the picture for a few days in a row.  I read other’s comments.  They were all excited. (At least they said they were)  But I still “got nothing”.  I closed down the Web-site and forgot about it.  I would have to pass on this opportunity.

It made me think about a fourth grade parent-teacher conference I had a year ago.  We were talking about creative writing, and she commented that my son wrote really well when it was something he was interested in.  When he got odd topics from her writing prompts, he didn’t seem to engage himself in the writing.  She thought this was a problem.

As a writer, I wanted to smack her upside the head.  Okay, yeah, as a student you need to write stupid book reports- about stupid people- who you don’t care about- and will never, ever remember again after you hand the paper in.

But creative writing?  If the kid wants to write about Spiderman, or spies, or original super heroes saving the world… and they are THAT good…  Stinking LET HIM DO IT.  (I have to admit, for a ten year old… his stories totally rocked.  Lots of excitement and explosions… the leaves don’t fall far from the trees)

Anyway, he and I had to work on his ability to make his teacher believe he wanted to write about a boring little puppy playing ball with a stupid little girl (I resisted the urge to point out that she could get kidnapped, and a super hero could come and save her life… with lots of action and explosions.)

He wrote the boring story.  It was okay.
He got a decent grade… on to the next one.

It made me think.  I used to be a master at this.  Give my ANYTHING in school.  Give me the prompt… be it creative writing, an essay, or a book report.  I could write my way out of anything.  Could I still do that? Could I find a story in that picture that didn’t spark a single bit of creativity in my heart?

Stay tuned.

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The Art of the Conflict – Keeping your Pacing while keeping your reader engaged.

Posted on January 26, 2012 | 30 comments

Recently I was speaking to some writers, and the topic of “art in writing” came up.  We were talking about art in conflict, and I think some people didn’t quite “get it”.

Writing sometimes can get “stale”.  I know, I’ve caught myself doing it.  It’s really easy to get caught up in your dialog, especially during a conflict.  The dialog will start shooting out of your fingers.  This character says this, that character yells that.  You have a clear vision of the scene, but you just type out the dialog part.  Problem is, since you have the “clear vision” you “see” what is happening when you read it back to yourself, and you might not realize that the “art” is missing.

One of my beta partners called me on this about 8 months ago.  He told me that it sounded like my characters were sitting there on each side of a table reading lines of a script to each other.  There was nothing else happening but dialog.

I was a little surprised by the comment.  After all, they were raising their hands, slamming their fists, throwing things… weren’t they?  Well, honestly… only in my head.  That’s the way I envisioned it, but I forgot to add that to the “art” of the conflict.  When I read it back… he was right.

My challenge was then, to go back and CREATE the art.  In doing so however, I needed to make sure I didn’t SLOW DOWN the conflict.  I needed to keep it flowing.  I needed to keep the pacing.  I needed to keep the intensity of the scene.

Much easier said than done.

That is why it is an “art”.  It takes trial and error, and practice.  If your “art” pulls your reader out of the story, and reminds them that they are reading, or even worse… makes them start skimming to get to the good stuff… you have spoiled your story for the sake of art.

The author who can create art, and keep the reader engaged, is a true storyteller.

.

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Finish Your Story Already!

Posted on November 10, 2011 | 13 comments

At a recent NJ Author’s talk on “Getting Published” (Click here to read my post from that night), I got a great piece of advice from best-selling author Jonathan  Maberry.

With all this NANO buzz going around, I am reading multiple blogs that say many of you are writing “really fast” just to get your word count in, and then going back and editing it so it sounds better, and then you plow forward again to make your word count (now even more stressed because you took up your writing time editing).  REPEAT, REPEAT, REPEAT.

Jon’s advice was not to re-write too soon.  He said to write your first draft all the way through. Once you are done, then you can go back and revise.  This is what he calls the “art of writing”.  He said that your first draft will concentrate on the substance… This is where the best part of the story comes out on the paper (or screen).

Don’t worry if it’s perfect… just get it all down and out of your head.  Once you have your idea all down in front of you, then you can concentrate on the “craft”.

Now is the time to add setting and character description if you missed  them the first draft.  Look at your punctuation, and watch for writing crutches and clichés.  Cut out scenes that don’t fit.  Re-write what’s just plain bad.  All this is part of the “craft” of writing.

So, if you’re NANOing, or just out there writing a great story at your own pace…  Don’t stress over it.  Enjoy the art of writing.  This is the best part for an author… having your vision materialize for others to read.

Worry about making it sound good later.  You will have plenty of time to edit when you’re all done.

Jennifer Eaton

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Lesson Five from the Gold Mine Manuscript Red Line: Let’s keep it in the past

Posted on September 20, 2011 | 8 comments

For an intro into where these tips are coming from, please see my post: A Full Manuscript Rejection, or a Gold Mine?

I suppose this doesn’t work for those of you who are trying to write your novel in the present tense.  If you are, personally I have to ask you to stop.  Yes, okay, it is a style thing, but I just can’t get into it.  I’ve read a few passages in present tense, and I always end up feeling tense (as in irate).  To me, past tense is the way to go.  (Of course, maybe I just haven’t read a good one)  Anyway, for those of us writing in the conventional fashion…

This publisher noted that present tense words are okay in dialog only.  In narration, they should be cut.

Now, in the gold mine manuscript, the present tense word was “almost” used as narration.  It was “sort of” an inner thought.  The POV character looked at a big mess, and was thinking about cleaning it up, and the narration said “he’d have to tackle it today.”  Now, I think the problem is that it was set off as narration, not as a complete inner thought.  If it was in italics, like the POV character was actually saying it in his head, it may have been okay (again, this is my opinion here).   But since this writer’s style is to have most of the character’s inner thoughts as narration instead of italic thought, this publisher found the use of “present tense” words to be a problem.

So, in a nutshell… if the narration says:  He’d have to take care of things today.  This is no good.

However, if the same character says out loud, or as an inner thought: “I’ll have to take care of this today.”  That is fine.

That’s a pretty simple one, but it might be one many overlook if they have their inner thoughts as narration.  This can be overcome simply be making your inner though more concrete, and putting them in italics so it is very clear that this is an inner-thought, and not the narration.

Amendment:  Guess what?   I just found one of these in my own manuscript!  In the MC’s POV, the narration says:  – It isn’t cold, like it is here.— Now, this isn’t past tense, but the “here” sounds weird because it is in the narration.  I need to change this into an italic thought, or change the wording to be slightly more detached.  One or the other.  It is basically the same principle.

Happy editing!

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Lesson Four from the Gold Mine Manuscript Red Line: And Then there was a Conjunction, or Was There?

Posted on September 16, 2011 | 8 comments

For an intro into where these tips are coming from, please see my post: A Full Manuscript Rejection, or a Gold Mine?

Originally, I was going to skip over this, because I thought it seemed a little obvious.  But then I thought, maybe not.

This publisher simply hated the idea of “and then”.  They said: “And then is not a proper conjunction.  And is a proper conjunction… use for, and, nor, but, or, yet, so which are considered “proper” conjunctions.”

I did a search in my own manuscript, and found 73 instances of “and then”.  Honestly, I was a little surprised to find so many in my story.  The more I thought about it, every instance is like a laundry list “tell sequence”.

Matt did this, and then he did that, and then he did that. (It was not quite so blatant, but you get the idea) If you think about it, it’s kind of funny.  I know when I was beta reading the manuscript for my BP, the “and then’s” did pop out here and there, but I just figured it was writing style.  I didn’t particularly like it, but I let it go.  I didn’t even realize I was doing it myself.  Now that I’m re-reading with these comments in mind, they are popping out and blaring:  No No No!

So, my advice is, do what I did:  Do a search/replace on your manuscript just for starters.  Search for “and then” and replace with “and then” (just make sure you spell it correctly)  It won’t change anything, it will just give you a count of how many times you did it.  If it’s a lot, search again and start editing!

This is an easy fix.   I’m not saying this will bother every publisher, but if it’s a pet peeve of one publisher, it will probably bother another one, or two, or three.  Personally, I’m not willing to take a chance and let them go now that I realize what I’ve done.

Happy editing!

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