Tag Archives: Characters

Five Ways to Keep Your Characters Feeling Real in a Fantasy Setting

First of all, I wanted to thank Jennifer for having me on her blog today to talk about how to keep your characters feeling real in a fantasy setting.

Even though my series, The Watcher Saga, is about angels and fallen angels, can honestly say I didn’t specifically approach this series as a fantasy. I had a story in my head that I had to get out.

As I wrote, however, I discovered that it can be challenging to make mythical or supernatural characters feel real to people, especially when they don’t live in the same world we do. Here are a few of the things I learned to do to keep it real.

1.      Do a Character Questionnaire

The first thing I do with characters in a fantasy setting is ask questions of the character, the same as I would for any story. I start with a name, and where they live, but there are so many great resources for character questionnaires out there. Here’s one of them: https://www.writingclasses.com/toolbox/character-questionnaire/gotham.

2.      Consider Special Qualities or Abilities

As I ask questions of my characters, I take into account what kind of species the character is and what special qualities they would have. For instance, if you’re working with angels, or fallen ones, there are certain traits they all have. They have wings and can fly. They are also immortal and may serve a higher being (or not. In some cases, they may do the opposite). How would that affect their world view? If they are immortal, were they born? How would it feel to live for thousands of years? How would flying affect their view of traffic? That sort of thing.

3.      Incorporate Your World Building

All characters exist within a setting of some sort. As you ask questions about your character, you start to get ideas of how their direct surroundings have affected them.

If they have been to war, it would have an impact on them. If they are of the Fey, they would have a culture, a history.

Perhaps they live in a woodland setting. Perhaps another dimension. All these things come into play when I’m creating a character. Even if they do not have a place in the story.

4.      Include Social Setting

Once I have a character in a world, I consider who the characters friends are. They have friends, family, a social hierarchy, or social order of some kind, that they exist within. Do they have natural enemies? Do they act differently with some people than they do with others? Who do they care about the most? That relationship can be used to fuel their motivation.

5.      Give Them Flaws and Challenges

In order for a character to seem real, they need emotions, weaknesses and vulnerabilities. In a fantasy world, these weaknesses can be almost anything. What would challenge them? In The Watcher Saga, the angels have a risk of being infected with sin. Michael was once infected with lust and is recovering. He’s recovered from a terrible past but it still affects him. He’s also half-human, so he’s subject to human emotions more than his angelic colleagues. So he reacts to things more like a person would, which isn’t always ideal.

In fantasy fiction, as in any type of fiction, it’s the challenges the character must face that makes them compelling and relatable. In any case, the fantasy element should add to the story and not replace character development. The more flawed a character is, the more real they seem. Their flaws make them relatable. If the reader relates to the characters and the characters grow and evolve as the story progresses, then they will feel real to the reader.

Thank you Lisa! Check out Lisa’s books below, and a giveaway too. Woohoo!

Purchase Links:

BAM | Indies | Amazon | B&N | Kobo | TBD | iBooks

Giveaway! Contest ends June 10, 2016

 

About the Author!

A Canadian-born author, Lisa Voisin spent her childhood daydreaming and making up stories, but it was her love of reading and writing in her teens that drew her to Young Adult fiction.

Lisa is also a technical writer, a meditation teacher with the Training in Power Academy, and the leader of the Young Writer’s Club, a local writing group for teens in her home town. A self-proclaimed coffee lover, she can usually be found writing in a local café. When she’s not writing, you’ll find her meditating or hiking in the mountains to counteract the side effects of drinking too much caffeine!

Though she’s lived in several cities across Canada, she currently lives in Vancouver, B.C. with her fiancé and their two cats.

More about Lisa can be found on her web site: http://www.lisavoisin.com or blog: http://lisavoisin.wordpress.com

 Website | Twitter | Facebook |Pinterest | Goodreads

 

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How can a book be both the worst and best you’ve ever read?

Alien Huh Close

I think we’ve all been there… we are gobbling up a book, loving every minute, and then all of the sudden Bam! Something happens in the plot that kills the book for you. Disappointment lingers. You place the book on your nightstand and think up reasons NOT to read. Then, after a few days, you grab something else, and that original book sits on your dresser, collecting dust.

I came very close to this in reading “14” by Peter Clines. Notice that I said “close.”

Let me explain.

This book was recommended to me by two readers on Instagram. This year my goal was to read only books that were recommended in order to really submerse myself in the current trends.

Anyway, that’s how I found “14”. Within a few pages, I was instantly engaged. This is odd for me, because the book is about an everyday guy who has a low paying job and gets an apartment in an old, historical building. Nothing exciting, right?

Yet I was flipping pages.

Then we meet the other people living in the building, and they each have their own quirks, their own voice, and their own … hmmm, I don’t know how to put it, but they each have their own “something special” that that drew me to them and made me want to read more.

So I kept flipping pages.

Soon, they all start discovering odd things about their building and their apartments, and that’s when the fun begins. I really can’t tell you anything else without ruining it, but at one point, something “happened.”

One of the characters looked out the window and saw a “xxxxxx”. Now, when I read this, I thought,

“Please tell me that he didn’t really see a “xxxxxx”.

But, alas, the main character actually DID see what I didn’t want him to see.

Alien SnarlI stopped reading. I was angry. Why did the author have to go there? I was loving this book! Why did he have to ruin it with a “xxxxxx”?

But the story festered and simmered in my brain. What were the characters going to do? Would they stop? Would they continue? Would the one character tell the others about the stupid “xxxxxx”?

I picked up the book, and eagerly started to devour it again. To my glee, the “xxxxxx” was not there after that scene, and I dove back into this amazing world.

Enter the climax. Wahoo! There were things I didn’t expect, and boom were we on a fun ride! (Meaning me and the characters, because we were all buds by this point.)

But then another hard stop, because the “xxxxxx” came back. And not only that, the “xxxxxx” “****ed”.

I wish I could fill in those blanks, but it would completely ruin this book.

Again, I was so frustrated that not only was there a “xxxxxx” in the book, but the “xxxxxx” also “****ed” that I considered placing the book down.

But I couldn’t.

My friends were in imminent danger. Would they survive?

Alien sour I realized that I wasn’t reading a book anymore. I was experiencing events. The story was happening around me, not inside the pages of a book. The writing is totally on point, maybe bordering on brilliant being that I WANTED to abandon the book. I just couldn’t.

After a while I was able to accept that the “xxxxxx” “****ed”. Not sure why. Maybe I just got used to it? Anyway, I was then totally able to enjoy the adventure with my new friends.

Yes, I’d have to say that this is one of the best-written books I’ve ever read, simply because of my need to find out more about the characters. But I would subtract one star in a review for two reasons.

#1, obviously, the “xxxxxx” – which I still wish was written differently, but so be it.

#2, The book starts out with a false action beginning. This was not a problem initially. Actually, I thought it was brilliant to show what would happen later in the story, since the beginning is very “everyday” contemporary. Unfortunately, this ended up ruining the end for me, because I thought I had read a passage that would happen in the future. When that DID NOT happen later in the book, I was taken aback, and scratched my head when the book was suddenly over.

Alien PKO_0003410-JPGBut in the end those things did not ruin the book for me, and I think it will be a long time before I am able to stop thinking about this story.

If anyone reads this book, (Please please please read this book) I would love to talk about it with you. I am very interested if anyone else was annoyed by the “xxxxxx” and if that aspect of the story was enough to ruin it for you.

Note: Mature content (mild sex scene) and a few F-bombs, but I didn’t find the language overused. I might even drop an F-bomb myself if I saw a “xxxxxx” coming at me.

Jennifer Eaton paper-JPG

How to make Your Reader Care About Your Character #2

I am skimming over notes I took from a class about creating characters that your reader will care about.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  (See previous post)

2.       Give them a goal

Ugh. Goals. We all have them, right? We all have something we need to do every day. Some goals we like, others we labor over.  The point is, we can all relate to having to do something.

If your character is wandering around in circles with no clear intent, the reader will not be able to engage.  Even before the inciting incident that is the real start to your story… your character has to have a reason for being… a goal of something that needs to be done (it can be simple, like making dinner)

But soon you should hit the “big goal” that will carry your reader along for the rest of the journey. We have to know what the goal is and have a vested interest in the character getting there.

By the way, the “big goal” needs to materialize in the first 25% of the book or earlier.  This may seem like a given to most of you, but I’ve read some works in progress lately where the author did not understand this. Think about your character’s goal, and make sure it is apparent to the reader.

Everyone wants something.

A reader can connect and care if they have the opportunity to root for your character to get what he/she wants.

So go ahead, give them a goal!

What was the character’s goal in your favorite novel? Do you think this is what made it your favorite?

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How to make Your Reader Care About Your Character #1

I was cleaning off my desk this weekend and I came across a handout from a seminar or class that I don’t even remember taking.  I read through the page and considered my current work in progress.  I’m pretty sure that by this time in my career I am doing what the handout recommends as an almost instinctual part of my writing process.

I almost tossed the paper, but thought there may be some people out there who could benefit from these notes.  And, of course, I tend to learn stuff myself when I write out and analyze notes for posts, so let’s see what happens.

To keep things  short, I will break this topic into 5 separate posts.  One thought to chew on at a time.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

All right:  Creating a character people care about:

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  Everyone in the world has relationships. They can be good, bad, or just tolerable, but you know what a relationship is, and so does your reader. Seeing a character in a relationship is an easy way to help a reader connect.

Let’s think over some memorable relationships.  I’ll grab a character most people know.

Harry Potter.

Harry lives with his aunt and uncle. Wow, they do not treat him well, do they? Have you ever been treated unfairly? Have you every had to put up with it because you had no choice? Have you ever wished a magic letter would show up and scoot you away? (Well, I’m sure the answer is “yes” to most of what I said, anyway.)

Giving Harry this horrible home life helps us to INSTANTLY connect with him. We feel sorry for him and want him to live up to his potential.  If Harry can overcome the odds, maybe we can, too.

Do you see how quickly and easily the connection is made? In the first few scenes we totally care and we are engaged.

Relationships. Use them.

And if your character is stranded on a deserted island, have him draw a face on a ball so he has someone to talk to. Yes, that has been done, but that helped you to connect as well, right?
Relationships are one of the easiest ways to help your readers care about your characters.

How have you used relationships to develop your characters?

_JenniFer____EatoN

The Big Announcement! Writing to a Deadline AGAIN #4 The Big Announcement!

I am so excited to announce that I’ve just signed a contract with Still Moments Publishing to have my story Connect the Dots included in their 2012 Christmas Anthology.

This is totally unbelievable.  In January, I posted a big boisterous banner proclaiming that I WOULD BE PUBLISHED by the end of 2012.  It was quite a lofty goal for me, and now I will have two stories coming out this year.

I’m giddy with glee.

Hey, Canada.  Look South.  See that big bright light down in the USA?  That’s me smiling!

Oh, guys.  This is just so dern cool.  You have no idea.

Click here to see my query blurb and promo page for Connect the Dots.  Yeah, No explosions.  I was a good girl for Christmas.

Search and Destroy in the Editing Phase

Daily Writing Tips recently had an article explaining bad writing compared to poor writing.  The one part of the article that struck me was the end.

They presented a list which I will admit (giving them total credit) that I copied and pasted below.  I only want to talk about #5, but I am including the entire list, because I think there are a lot of writers out there who can benefit from it.

Here we go:  Total credit to Dailywritingtips.com (If you want to see the whole article, the link is below)

———————————————————————-

Here are some tips on avoiding the pitfalls of bad writing:

1. Be Fresh
The purpose of metaphor and simile is to evoke recognition by comparison or allusion. Write these analogies to aid your readers with your clarity of vision, not to serve your ego, and avoid clichés.

2. Be Clear
When drafting expository fiction or nonfiction, record your voice as you spontaneously describe a scene or explain a procedure, transcribe your comments, and base your writing on the transcription, revising only to select more vivid verbs and more precise nouns and to seek moderation in adverbs and adjectives.

3. Be Active
Use the passive voice judiciously.

4. Be Concise
Write tight.

5. Be Thorough
Accept that writing is the easy part; it’s the revision that makes or breaks your project — and requires most of your effort.

———————————————-

Okay then… end credit to daily writing tips.

(On a side note:  If anyone needs clarification on anything in the list above, let me know and I will do my best to translate.)

Let’s talk about #5.

This is near and dear to my heart, as I have just finished a roller-coaster ride self-imposed deadline of 5,000 words a week to finish a novel in 10 weeks.

I finished my first draft four weeks ahead of schedule, and dropped myself into editing.

Is my story great?  Well, of course it is! It’s my idea and I love it.

Is it well written…

Umm well, it will be.

Now is the tough part.  I need to attack all the sneaky “tell” that slipped in when I wasn’t looking.  I need to describe bronzed skin rather than telling “his skin was bronzed.”

Luckily enough, I have many words to spare, as I ended up short on my word-count target.  I have plenty of room to expand.

Right now, it is “search and destroy” on “Felt” “was” “it” and all those other nasty little tell markers.

I was paying attention this time around, and I tried my best not to have blatant run-on tell passages (as I’ve been guilty of in the past)  which is good, but all of my tell is now “subtle”.  It is the kind that will probably slip past most publishers.  But I don’t just want this to be a good novel.  I want it to be a great one.

Yes, it is this revision process that will make or break this novel.

I am approaching it by not reading for flow yet.  I am just looking for all those “little nasties”.  Once I think I am “nasty free” I will read for flow, and then ship off to betas, trusting them to slap me upside the head for everything else I may have missed.

How do you “search and destroy” during the editing phase?

Writing to a Deadline 15: OMIGOSH!!!!!!!!!!!!

Writing to a Deadline Part 13: Rewriting and resubmitting

Wow.  They were right.

I took out one relationship element, and the rest of the story just fell in line.  I read through my final product and shivered.

Yeah, I actually wrote that…

But that sting is still there… is it as good as I think it is?  Probably not.

Three days until I have to submit.  It’s a holiday weekend.  No one is going to have time to read, right?

This is where friendships you have made come into play.  I looked up every applicable beta reader past and present, and let them know my dire situation.  I even sent it to my very first beta partner… who was nice enough to teach “idiot little me” so much when I first started out (boy did I stink back then)  I haven’t spoken to him in over a year.  You know what?  He jumped on board.

A debut author from the same publishing house I am submitting to saw my plea on Scribophile, and offered to read it.  So did one of my current betas, and my writing buddy who was also in the same boat having to make revisions to her submission for the anthology.

Suggestions come back.  Minor changes.  The last beta to come back arrives five hours before I need to submit.  No pressure.  More minor suggestions.

Make the applicable edits…. And Done.

Funny thing.  I created a PDF, got ready to send, and got a sinking feeling in my stomach.  I checked back on something I had just added that night, and it didn’t flow. Honestly, it sounded HORRIBLE.  I took a few minutes and changed it.  Perfect…. Sometimes, you really need to listen to your gut.

  1. Create a new PDF.
  2. Write up and email thanking the publisher for their suggestions; this is how I used them… yadda yadda… thank you for your consideration.
  3. Attach PDF
  4. Send.

Now the painful waiting process… again.

The deadline has passed.  Whatever happens now, happens.  There is nothing more I can do.

I feel good about it.  I didn’t crack, and I held on to the bitter end.  No matter the outcome, I am proud of this 40 page little gem.  If anything, I proved to myself that I could do it.

Writing to a Deadline Part 12: The Slap of a Rejection

After a week of waiting… Rejected.

Wow.  That stung.  I read the email.  Well, that’s not true.  After the words “Not ready for publication at this time.” I pretty much skimmed it.

Two things stuck with me off the bat.  George was an unnecessary character, and the opening was confusing.  What??????????  George is the catalyst!  Deep breath… don’t scream.

Being a good little camper, I shut down my computer, and walked away.

I stewed over it for a while.  What were they talking about?  How could they say these things?

Then I took my own advice.  It was a nice day.  I got on my bicycle, and just rode.  I thought over those two comments, and cleared my head for an hour or so.  Once I was able to deal with it, I went back to my computer to read it again.

It’s very hard to take your own advice when something happens to you.  I have walked a few people through this very thing, but never myself.  I’ve sent out work before, but they all saved me this heartache by not answering my queries at all.  This time, I got the definitive “No”.

But was it really a no?  I read it again.  It wasn’t a yes, but it wasn’t completely a rejection either.  They gave me a full-page type-written list of areas they thought were lacking in the story.  Someone thought it through, and let me know everything they thought was a problem.

In my own advice to others: “If someone took that much time, they must have seen something in it that they liked.”

I printed out the page, went to my room, closed the door, and read it over and over.  I realized that if I took their advice about the character George, that the characterization inconsistencies that they pointed out with three other characters would just naturally fall in line.

The last line of the email stated:  If you would like to make changes and resubmit before the deadline date, please send the rewrite directly to “********”

Wait a minute… Go past the normal submission channels?  Hop over the other entries right into a special mailbox?

Not quite so much a rejection anymore, is it?  Thank God I submitted two weeks early!

Seven days for a rewrite, taking out a major plot element.

Gotta go…. Got something to do. 🙂

Stupid things your Beta Readers Find: Letting Your Villain Off The Hook Too Easily.

This is one of those “type things out to clear my head” posts.

I’ve written before that if one person makes a comment, consider it.  If two people make the same comment, seriously consider it.  If several more people make the same comment, revise.

I’m wavering on this one, though.

When I request beta reads, I ask for people to express the emotion they feel in each chapter.  A few people have said that my villain gets off the hook too easily.

Now, are they expressing an emotional response, or do they think that’s an error on my part?  That is what I am trying to figure out.  Even after questioning them, I am still not quite sure.

For one thing, they all would have squawked at my first seven or so drafts, where he completely got away with it.   I’m at least happy with my decision for him to get caught.

I can’t have him die a horrible death though, because then he can’t come back with a vengeance to really screw with Magellan’s head in another book.

I guess the visceral reaction of people is that if someone kills almost a hundred people with no remorse, he should get no less than that in the end.  The problem is that my villain is just too much fun.  Everyone has said that he makes their skin crawl, but they love it.  He is a great character, and I want him to come out and play again.

I think the problem might lie in the fact that you see him get caught, and you see the initial “punishment”, but you don’t get to see the aftermath… but if I do go and show the reader that aftermath, it will get red-lined because that is not intrinsic to the main-plotline for a POV character to be there to see it.

I don’t really have to show you the aftermath… I can show you the emotional response of the aftermath from another character’s POV.  I can intertwine that into the main plotline as the characters move into the final scene.

That’s it!  I got it!  I knew talking to you guys would help. You are all so smart!

Gotta go!  The idea is bursting out of my head, and I need to write it down before it disappears!