Tag Archives: editing

Writing to a Deadline Part 12: The Slap of a Rejection

After a week of waiting… Rejected.

Wow.  That stung.  I read the email.  Well, that’s not true.  After the words “Not ready for publication at this time.” I pretty much skimmed it.

Two things stuck with me off the bat.  George was an unnecessary character, and the opening was confusing.  What??????????  George is the catalyst!  Deep breath… don’t scream.

Being a good little camper, I shut down my computer, and walked away.

I stewed over it for a while.  What were they talking about?  How could they say these things?

Then I took my own advice.  It was a nice day.  I got on my bicycle, and just rode.  I thought over those two comments, and cleared my head for an hour or so.  Once I was able to deal with it, I went back to my computer to read it again.

It’s very hard to take your own advice when something happens to you.  I have walked a few people through this very thing, but never myself.  I’ve sent out work before, but they all saved me this heartache by not answering my queries at all.  This time, I got the definitive “No”.

But was it really a no?  I read it again.  It wasn’t a yes, but it wasn’t completely a rejection either.  They gave me a full-page type-written list of areas they thought were lacking in the story.  Someone thought it through, and let me know everything they thought was a problem.

In my own advice to others: “If someone took that much time, they must have seen something in it that they liked.”

I printed out the page, went to my room, closed the door, and read it over and over.  I realized that if I took their advice about the character George, that the characterization inconsistencies that they pointed out with three other characters would just naturally fall in line.

The last line of the email stated:  If you would like to make changes and resubmit before the deadline date, please send the rewrite directly to “********”

Wait a minute… Go past the normal submission channels?  Hop over the other entries right into a special mailbox?

Not quite so much a rejection anymore, is it?  Thank God I submitted two weeks early!

Seven days for a rewrite, taking out a major plot element.

Gotta go…. Got something to do. 🙂

Writing to a Deadline Part 10: Rewrite and Beta Blast

If you’re just hopping into the insanity that is my writing life, check out my previous “Writing to a Deadline” posts or this won’t make sense.

Okay… fixed that climax.  Yeah!  I did it.  Oh no!  Now I am at 10,280 words!

That’s a whole page over!  Ugh!

Edit madness:  Extra word here, extra word there.  Unnecessary clause?  Can I tighten that dialog a little?  Does this person need to smile?  Is that dialog tag necessary?

Okay, I’m done.  Right?  Am I?   ARRRHGHHHH!

Beta Blast!  Call in the two people who the story really seemed to resonate with (Don’t bother with the person who didn’t seem to get it from the beginning)

Sorry, guys… I know it’s a lot to ask… but I need it back in two days.

Wait….  Wait….  Wait….  Tear a fingernail off.  Wait….  Water the plants… again.  Groom the dog… again (not that she’s complaining.)

Then the panic moment happens.  Through a writer’s group, I find out that someone submitted, and got a positive response.  Not an acceptance, but a request to make changes and re-submit through private channels.

Oh No!  There is a possibility that they will close for submissions if they fill all five slots.

It’s okay… take a deep breath.  I decided that I need to submit NOW, even though there are two weeks left until the deadline.

My two betas came back with minor changes.  Of course, while I was waiting I made changes of my own, so I pleaded for one more read.  Yeah, I can be annoying that way.

My worst writing nightmare is that all of these people call in the favor at the same time while I am up against a deadline of my own ***gack***

Okay… their responses come back.

Remove that comma, change that word…

Easy fixes.

Slow and steady.

Writing to a Deadline Part 9: “And the beta-reading verdict is?”

If you’re just hopping into the insanity that is my writing life, check out my previous “Writing to a Deadline” posts or this won’t make sense.

Note:  This post is mainly for those of you who have not yet been through the beta-process.  Just to prepare you for what it can be like.

Last week I sent out my story LAST WINTER RED to a small Beta Army.  And back the comments come…

Three fast “I just read it” responses came back in one day.  “Liked the story” on each of them.  At least that’s a step in the right direction.  Next step… they will go through and make suggestions.

Time to wait again

The professor got back to me noting “Great story” but lack of setting.  Yeah… I’m famous for that.  I only give what’s absolutely necessary.  I’ll think that over.  There was also a small element that she thought was lost in the middle.  Easy fix, but it will put me close to the word count.  She was also totally engaged and drawn in by my beginning. Yay!

Critical Beta Reader #1 comes back, and hates my beginning. She didn’t mention lack of setting at all.  (Don’t you love contradicting crits?)   She pointed out a few details that she thought were overdone.  Easy fixes.  When she finished, there was more red than black on the page, though. Ugh.

Getting nervous. Re-write of one section per Professor’s comment brings me up to 10,075 words.  Yikes! Editing per Critical Beta #1’s suggestions brings it back down to 9,975. Whew!

My long time beta partner says it just needs a little tweaking.  She likes the beginning, but not my starting point.  She’s probably right, and this might be what critical Beta #1 meant, too.  I think I can fix this now that I understand better…  Just move the starting point three minutes later of where it is now.  She also suggested inserting a little more turmoil over the conflict early on for the MC.  Hmmmm.  I can do that, my only concern is only having an extra 25 words before the 10,000 word maximum.

Romance Beta comes back and actually liked the kissy stuff????  Yea for me!  She pointed out things that the others didn’t even see.

Memoir writer also pointed out some minor things that others didn’t notice.  Easy fixes.

Two people thought my closing six words were absolutely brilliant.  They both mentioned it without me asking… but Critical Beta # 1 deleted them without comment.  Too funny.

So many suggestions fly at you so quickly… you need to decide what fits for what YOU want in the work… and at the same time, please the masses… not everyone.  It’s impossible to resonate with every reader.

Clock is ticking.

Three people made the same comment about a rock in the well during my climax.  Going for a complete re-write of that scene.

Ugh… no words to spare.

Tick tock, tick tock… no pressure.

Writing to a Deadline Part 8: “Calling in the Beta Reading Army”

If you’re just hopping into the insanity that is my writing life, check out my previous “Writing to a Deadline” posts or this won’t make sense.

I was happily surprised when I sat down to edit, that I had very few things to change.  Mostly typographical errors and little things like switching sentence structure to make it flow better.

The one scene that I purposely wrote as “tell” took a little time to work out, but it’s finally done.

So, I took a deep breath, and called in a Beta-reading army.  Crossed genres and ages.  These are all people I have a fairly high trust factor with:

Two are currently mercilessly ripping apart my novel and making great comments

One is a college professor who teaches creative writing (She has never read my work)

One is a Romance/ Middle-Grade soon to be publisher author who hasn’t read my work (she’s there for that kissy stuff I’ve never done before)

A memoir writer, who also has not read my work

A High Fantasy writer (my writing buddy for the past year or so—-who’s sick of reading my work) (ONLY KIDDING!)

My first ten pages will also be reviewed by three people in a critique group who I’ve never met before.

It’s kind of like submitting to a publisher, but you know these people will get back to you.

Funny, I was more nervous about this beta-read than I was about my novel.  Probably because I feel deep down, that the story is pretty solid.  After dissecting the Gold Mine Manuscript for seven months, I think I know what NOT TO DO.  The question is… did I write what I THINK I wrote.

I also have that deadline looming over my head.  And I don’t want to wait until the last minute… just in case the publisher decides to close for submissions early.  It’s enough to make you a nervous wreck.  Will I have time to make all the changes they might suggest? (If I agree with the suggestions, of course)

By request: Who’s verses Whose

It never occurred to me to do an article on Who’s verses whose, because I don’t think I’ve ever had a problem with it.  I can see how this could be confusing, however.

I will try to make this as simple as possible.

Who’s” is kind of like “it’s”.   It is a contraction of two words.

Who is going to the store?

Who’s going to the store?

Whose is the possessive form of “Who”.

Who does this book belong to?

Whose book is this?

I believe the problem that may cause confusion is that sneaky little apostrophe.  In most cases apostrophe with an “S” denotes a possessive.  That is not true for “who”, or for “it”.

It’s just another one of those wonderful little rules that make the English language so much fun!

Hope this helps!

What Stupid writing thing did your beta reader come up with this week? “As” easy as it seems?

Apparently, I like the word As.

It’s a little word.  So small, so subtle, BUT SO TROUBLESOME.

Yeah, I admit it, I’m an “as” junkie.  I love combining sentences.  I like the way “as” makes sentences flow together in such a beautiful flowery way.  But, unfortunately, too much of a good thing stands out.

The lovely Miss Ravena went through my manuscript and started highlighting my “as” addiction.  Oh, what a colorful page I received back!

Did I get rid of every one of them?  Of course not.  I just reworded sentences where they were not absolutely necessary.  I tried to make sure there wasn’t more than one “As” in a single paragraph.  In one instance there were three in a paragraph, but I could only drop to two.  Anything else and the pacing would have suffered (in my opinion).

So, yes, I still have the dreaded “as” used as a conjunction in my manuscript.  Tabu?  Maybe a little.  I’ll watch for it, but I’m sure I’ll do it again, and again.

It is, after all, an addiction.
You won’t catch me giving up chocolate too soon, either.

What stupid Writing Error did your Beta Reader come across this week? – Verb Confusion.

I just love verb confusion.  It’s a riot.

Unless someone points it out to me in my own work.

Okay, well it’s funny for me too, as long as I catch it in time.

The lovely Miss Dawn just pointed out to me that I have to be especially careful with my verb confusion, because in a fantasy world, it is entirely possible that furniture might come to life.

This is what I wrote:

Nurses tended to beds holding the badly infected.  Some held the patients withered hands.  Many smiled.  How could they provide comfort?  Weren’t they afraid?

I read this at least ten times on my own.  I knew what I thought I wrote… a beautiful scene of nurses tending to their patients.  But when Dawn read it, she saw nurses tending to the beds, not the people.  She saw beds holding the badly infected people.  (Like the beds were alive)  She also saw smiling beds.

When I read it back, I realized (after I stopped laughing) that she was completely right!

Thank goodness this is a very simple fix.

Nurses tended the badly infected.  Some held their patients withered hands.  Many smiled.  How could they provide comfort?  Weren’t they afraid?

The funny thing is, Dawn is a new reader for me.  She is not a fantasy writer, and she picked this up.  Three other people completely missed this.  That is why you send your manuscript out to multiple people…. To save you the embarrassment later.

Thanks, Dawn!

Row 80 4/2 Writing to a Deadline Part 6: “Writing from the Outline”

My goal is to get published.  At the moment, I am working on a novella for an Anthology.  This is where I am:

If you’re just hopping into the insanity that is my writing life, check out my previous “Writing to a Deadline” posts or this won’t make sense.

I’d love to tell you that this outline is absolutely useless, but I’d be lying.  I think it is actually helping me.

I keep referring back to it, which is good, because it is keeping me on track.

Since I have my story clearly outlined, I know all of the “little carrots” that need to be dropped early in the story so they are not “big surprise veggie bombs” later.  I even caught myself forgetting one, and I had the chance to re-write a conversation that included that little snippet before it was too late.

In the first three scenes, I set up my world (and clearly defined it since it is a Futuristic Dystopian).  Introduced all the characters.  Gave the conflict of the main character and all subordinate characters.

I looked at my word count— 2,685.

Hmmmm.  The submission guidelines say the story needs to be between 5,000 and 10,000 words.  Can I finish it in that parameter?

My outline has 26 items/scenes/”things that need to happen”.  Some are more in depth than others.  I very carefully looked over the list, and placed a word count next to each number.  This is how many words I think I will need to get each idea down.

300 here, 500 there, 1000 there, 2000  for the climax.  You get the idea.

When I totaled it all up it came to 9,685.  That was a bit of a surprise.  I thought it would be higher.  However, I am also brutally aware that I only have 315 words to spare.

Now, my challenge is to hold to those numbers.  If I can’t finish each item it the allotted word count, I need to subtract words from somewhere else.

The writer’s retreat is here.

Two full days of writing with a goal to finish.

Too lofty a goal?  We’ll see.

Stupid things your Beta Readers Find: Letting Your Villain Off The Hook Too Easily.

This is one of those “type things out to clear my head” posts.

I’ve written before that if one person makes a comment, consider it.  If two people make the same comment, seriously consider it.  If several more people make the same comment, revise.

I’m wavering on this one, though.

When I request beta reads, I ask for people to express the emotion they feel in each chapter.  A few people have said that my villain gets off the hook too easily.

Now, are they expressing an emotional response, or do they think that’s an error on my part?  That is what I am trying to figure out.  Even after questioning them, I am still not quite sure.

For one thing, they all would have squawked at my first seven or so drafts, where he completely got away with it.   I’m at least happy with my decision for him to get caught.

I can’t have him die a horrible death though, because then he can’t come back with a vengeance to really screw with Magellan’s head in another book.

I guess the visceral reaction of people is that if someone kills almost a hundred people with no remorse, he should get no less than that in the end.  The problem is that my villain is just too much fun.  Everyone has said that he makes their skin crawl, but they love it.  He is a great character, and I want him to come out and play again.

I think the problem might lie in the fact that you see him get caught, and you see the initial “punishment”, but you don’t get to see the aftermath… but if I do go and show the reader that aftermath, it will get red-lined because that is not intrinsic to the main-plotline for a POV character to be there to see it.

I don’t really have to show you the aftermath… I can show you the emotional response of the aftermath from another character’s POV.  I can intertwine that into the main plotline as the characters move into the final scene.

That’s it!  I got it!  I knew talking to you guys would help. You are all so smart!

Gotta go!  The idea is bursting out of my head, and I need to write it down before it disappears!

Letting go of your “Little Darlings”. Great Scenes You’ve edited OUT of your novel

A “Little Darling” is a scene that you just LOVE in your novel, but somewhere along the line, you realize it is just not right… and you need to cut it.

I have TONS of them.  Most of them chapter length.  But here is one of my favorites… just 103 words from HIDDEN IN PLAIN SIGHT.  This is my Main character, thirteen year old Magellan, having a conversation with the Great Goddess.  She basically tells him he needs to save the world:

“Why can’t you just do it yourself?  Aren’t you a Goddess?”

“I can no longer manifest in the world of man.  Darkness has taken
a powerful vessel.  He draws on its strength, and its anger.  I cannot leave
here.”  She raised her arms, and pointed out to the void surrounding them.

“You mean, you’re trapped?”

 

“Darkness alone is nothing.  Darkness in numbers decimates.”

Magellan took a deep breath, and swallowed hard.  “So, what do we do?”

“You are the factotum.  You are my hands, even when they are tied.”

He took a step back.  “You’re kidding, right?  You want me to fight Darkness?”

I don’t know why, but I am really tickled by this short scene.  Even though this didn’t make it into my final draft, I smile every time I read it.

There is just something about a thirteen-year-old boy having a conversation with an ancient, cryptic goddess, and him saying to her… “Say what?”  It just makes me laugh.  I think it’s the pure innocence of a child paired with the ethereal knowledge of a goddess.  I don’t know… it just makes me smile and feel warm inside.

Have you ever written something “short and sweet” that makes you feel like this, but had to cut it for one reason or another?  I’d love to read it.

Send me the link, or post it below (try to keep them to about 100 or so words).   This is your one chance for others to read that special scene that you have stored somewhere because you love it so much.

Artwork by Istvan Szabo:  Preliminary art for HIDDEN IN PLAIN SIGHT (Contracted)