Tag Archives: self publishing

Wow. I hated this book. I mean, I REALLY hated it.

My son (the MMGR) asked me what I was reading yesterday.  I gave him the title.  He asked if it was good.  I laughed and said, “No, actually it is really bad.”

 

“So why are you still reading it?” he asked.

I smiled and said:  “I am taking notes to make sure I never write like this.”

I am going to save the writer the pain of giving you the title of the novel or the author’s name, but I thought this experience was worth mentioning.

I picked up this novel for free from the author.  It was one of those things where the author gives away book one, with a teaser of another book at the end, and links (in Kindle) to where you can buy the next four books in the series if you liked this one.

Did I buy the rest of the books?  Ahhhhhh…. No.

Giving away Book One is a perfectly sound practice to drum up an audience to buy more of your work and get your name out there… IF YOUR WORK IS GOOD.

This was so sad.  Really, it was.

This was a self-published novel.  Now, self-publishing is fine… IF YOU ARE READY.  This novel read like a third or fourth draft that had never had a beta read.  There were a few typos, missing dialog tags, etc.

I can forgive that.  The big problem here was the Show versus Tell issues.  I never really became immersed into the story.  I always felt like I was reading a book.  I never had a problem putting it down, because each page was kind of dull.

The story revolved around an orphan girl, who finds out on her eighteenth birthday that she is a witch.  A male witch takes her from her “normal” life to train her and teach her the ropes.  He is handsome.  You know what?  He is handsome.  Oh, yeah, did I mention… he is handsome.  That’s all I know because she never said anything else about what he looked like.

These two characters don’t like each other to begin with.  Then suddenly, out of the blue, he mentions that he’s engaged, and he doesn’t want to get married.  They decide (in one page) to pretend they’ve fallen in love so he can get out of it. The next page, in a big tell section, she falls for him, and then BOOM he says he’s fallen for her and they end up in bed together.  From dislike to bed in two pages.

Then in the last few pages the fiancée (I guess the bad guy girl) materializes and is ticked about the relationship.  Where’d she come from? I’d never even heard of her until about six pages ago.

This was a short story/novella.  If it was written properly, it could have been a solid novel, and very exciting.  I felt like I was reading an elongated synopsis.

Was the story good?  Well, yes, it could have been great.  It just was not ready for publication.

This is what scares me about self-published novels.  So many are just not ready.  If you want to self-publish, go ahead.  Good luck to you… just PLEASE pay your dues.  Get at least five hyper-critical betas and LISTEN TO THEM.  You don’t need to change everything, but get lots of opinions.

NOTE:  The betas CANNOT be your Mom or Dad.  Let’s be real, here. Get yourself an editor, too.  Get opinions on your story arc.  Develop you characters and your story.  Don’t rush things just to get something “out there.”

I feel bad, because this story had a lot of potential, and could have been great if it was actually finished before it was published.

If you are going for traditional publishing, the publisher will tell you if it is ready or not by giving you a contract.  For me, that nod is priceless, because I know then that my story is ready, and I won’t have someone blogging about me (and maybe not being as nice as me, and using my name **GACK**)

Please don’t get caught in this trap.  Give your story the attention and work that it deserves.  Pay your dues, and make sure you are ready.

And by pay your dues – I don’t mean that traditional is the “only way”.  I mean don’t skip the steps that will make the difference between a really bad review… and a slew of awesome reviews.  Give your novel the time and attention it needs in the editing phase before you publish.

Enough said.

Jon Gibbs’s Ten things I wish I knew before I was published #2: It Ain’t Easy, Baby

You will not get published by accident.  You need to go to workshops, and send your stuff out.  No one will accidentally read your manuscript.

Now, I need to admit that I have a friend who posted an excerpt from her novel on her blog, and a publisher happened upon it.  He asked her to send him a full, and he eventually published her.

It does happen, but the chances are so slim I can’t think of a number that small.

There are people out there who walk around carrying “Writer’s Market” hoping someone will see them and say “are you a writer?”  Seriously… it’s not going to happen.

You need to submit.  Press that little submit button.  I know it’s hard, I’ve been there, but it can be done.

Go ahead, stick those pages in that envelope.  Send your baby on its way.  It won’t get anywhere if you don’t let it leave home.

You need to decide if you are a recreational writer, or a professional writer.  Either one is fine, but professional writing is work.  You need to apply for jobs… no different here.

(Unless you go for self-publishing, but that’s another story completely)

Note:  The above are Jon Gibb’s main speaking points, with my rambling opinions attached.

Jon Gibbs is the author of one of my son’s favorite books:  FUR-FACE, which was nominated for a Crystal Kite Award.

Jon is an Englishman transplanted to New Jersey, USA, where he is an ‘author in residence’ at Lakehurst Elementary School.  Jon is the founding member of The New Jersey Author’s Network and FindAWritingGroup.com.

Jon blogs at jongibbs.livejournal.com

Website: www.acatofninetales.com

Biggest Mistakes New Writers Make #5 Giving up too soon

This is the last post on “Biggest Mistakes, and I think it is the most important.  Take a deep breath, and read slowly and carefully.

At a recent NJ Author’s talk on “Getting Published” (scroll down below for the list of authors), the authors discussed the biggest mistakes they think new writers make.

This is really important, because the temptation to take the “easy road” is there, blinking and coaxing every day.

Don’t throw your novel out to self-publishing if you are not ready.

I’m going to say it again.

Don’t throw your novel out to self-publishing if you are not ready. 

Say that line over a few times.  Make it stick in your head, then continue…

I have a friend who actually did “go through the motions”  They put their novel out there, and were getting rejections.  They then decided it might be a good idea to get some beta readers. (Okay, they did that part in the wrong order, but at least they realized what they did)  After about ten or so beta reads, they came across me.

“The barracuda” attacked with reckless abandon.  (As nice as I could possibly be, of course) I knew EXACTLY why this wonderful, elaborate very imaginative story was not being published… I explained over and over in great detail.  They revised, but only slightly.  They did not want to ruin their “artistic integrity”.

That book is now self-published… with exactly the same beginning that I ripped to heck and back.  I feel horrible about it.  It is not selling.  Now… that is not to say that I’m always right.  I can be wrong.  This time, I wish I was.

Remember:  Most e-book channels let you read the first few pages just like if you are in a bookstore.  The first few pages of this novel are BORING.

Is it a great story?  YES.  Is it original?  YES.  Did the author make all the mistakes noted in the “biggest mistakes”?  Unfortunately, YES.  (Sorry BK)  I dearly, dearly hope I am wrong, because this is a great story, and they put a lot of work into their baby.  Right now, my heart is sinking over it.

If one person tells you something you do not want to hear.  Consider it.  If two people say something, think hard about it.  If three or more people say the same thing, suck it up and admit you are wrong.

Try to get a publisher first, and try long and hard.  Don’t put out something sub-standard just because you are in a rush or afraid of the process, or don’t agree with the feedback.  That first novel can haunt you for the rest of your life… and you never know, you just might end up with a “Gold Mine Manuscript” rejection that will change your outlook completely, if you are open enough to their suggestions.

Is self-publishing okay?  Sure.  For some authors.

Just Please Please Please make sure you are ready.  I have read quite a few self-published novels that were not ready.  It’s a shame, because I would be hesitant to take a chance on another novel by any of these authors.

If you do self-publish, AND YOU HAVE TAKEN THE STEPS TO BE SURE YOU ARE READY, check out Daniel Ottalini’s blog for a great checklist to make sure you follow through to give your novel a chance.

Jonathan Maberry: www.Jonathanmaberry.com

Mike McPhail: www.mcp-concepts.com

Danielle Ackley-McPhail: www.sidhenadaire.com

Jon Gibbs: www.acatofninetales.com

Jennifer R. Hubbard: www.jenniferhubbard.com

Kristin Battestella: www.jsnouff.com/kristin

Hob-Nobbing: Having the chance to speak with other authors

A neat thing happened the other day.  I was included, with a long list of others, in an email from a multiple-published author that I have done very moderate social networking with.

The email itself is not important.  What was neat is I looked over the list of other people who were copied.  Hmmm… She’s an author.  Oh, I read their book last year.  That name sounds familiar…

Wait?  Was I just included in an author string?

It was kind of cool… like being elevated from the “wanna be” status to being included as a published author.  It’s like the nerdy kid getting invited to sit with the cheerleaders.  I know, ***stupid***, but I thought it was pretty neat.

For the most part, I interact with people who are not published.  Being included in a conversation, and exchanging opinions with a group of published authors was pretty special.  I feel like I’ve graduated or something.

Now I just need to work my tail off to make sure I don’t end up back in school again.  On that happy note… back to my current WIP!

The Road to Publication #1: The Contract

Wow, did I TOTALLY not expect to be writing a heading like that so early this year.

This will be a series of posts, but it will most-likely not be weekly.  Honestly, I don’t know everything that’s involved yet, or how often I’ll even have anything I can tell you.

Why am I writing this?

I realize that I am in a position of extreme interest to most of you.  As always, my mistakes, or my good fortune in this case, are an open book for you all to learn from.

To start with… the contract.  Wow.  Nothing makes things more real than seven scary pages filled with very serious sounding words like “Breach” “Grant” “Term” and “Indemnification”

Yikes!

Luckily enough for me, part of my day job is reading contracts, so this wasn’t as scary as it could have been.  I would highly suggest that if you DON’T have a background in contracts, or have a clear understanding of the publishing business, to bring your contract to a lawyer to get it explained.

Luckily for me, J.Taylor is a great publisher.  Their contract is concise and fair, and there are things in there to protect me and my family, as well as them.  Everything that I wanted was already there in the contract.  Whew!

Be prepared that there is a lot of negative stuff in the contract.  This is because the document is made to protect both sides if something “bad” happens.  It can be a little daunting to read all the stuff that can go wrong, but don’t worry.  This is just part of business, and is standard for almost any kind of business agreement.

What I really liked is J.Taylor Publishing softened the blow of the contract with a pretty “Welcome packet” wonderfully written with an air of excitement outlining some of the things that they will expect of me, and all of the great services that they offer.

After all I have heard about publishers dropping marketing in the lap of the author, leaving them to flounder on their own, I am tickled to find out that My publisher will be creating a marketing plan, and will do everything in their power to make sure the work is a success.

By request: Who’s verses Whose

It never occurred to me to do an article on Who’s verses whose, because I don’t think I’ve ever had a problem with it.  I can see how this could be confusing, however.

I will try to make this as simple as possible.

Who’s” is kind of like “it’s”.   It is a contraction of two words.

Who is going to the store?

Who’s going to the store?

Whose is the possessive form of “Who”.

Who does this book belong to?

Whose book is this?

I believe the problem that may cause confusion is that sneaky little apostrophe.  In most cases apostrophe with an “S” denotes a possessive.  That is not true for “who”, or for “it”.

It’s just another one of those wonderful little rules that make the English language so much fun!

Hope this helps!

What Stupid writing thing did your beta reader come up with this week? “As” easy as it seems?

Apparently, I like the word As.

It’s a little word.  So small, so subtle, BUT SO TROUBLESOME.

Yeah, I admit it, I’m an “as” junkie.  I love combining sentences.  I like the way “as” makes sentences flow together in such a beautiful flowery way.  But, unfortunately, too much of a good thing stands out.

The lovely Miss Ravena went through my manuscript and started highlighting my “as” addiction.  Oh, what a colorful page I received back!

Did I get rid of every one of them?  Of course not.  I just reworded sentences where they were not absolutely necessary.  I tried to make sure there wasn’t more than one “As” in a single paragraph.  In one instance there were three in a paragraph, but I could only drop to two.  Anything else and the pacing would have suffered (in my opinion).

So, yes, I still have the dreaded “as” used as a conjunction in my manuscript.  Tabu?  Maybe a little.  I’ll watch for it, but I’m sure I’ll do it again, and again.

It is, after all, an addiction.
You won’t catch me giving up chocolate too soon, either.

Writing to a Deadline Part 4: “I hate this stinking outline”

If you’re just hopping into the insanity that is my writing life, check out my previous “Writing to a Deadline” posts or this won’t make sense.

Outlining is not a waste of time

Outlining is not a waste of time

Outlining is not a waste of time

ARGHHHHHH I hate this stinking outline thing!

No!  I am not going to give up.  I have an idea, but I just want to start writing dern it!  I know where I am going.  The outline is in my head.  Just let me GO!

But it’s already in my head.

Don’t you just hate it when you argue with yourself?

My problem is I have precious little time to write.  Half an hour during the day while I’m at lunch.  That’s it.  I just can’t “get into a character’s head” at home (Dog, husband, three kids… you get the idea.)

Writing down this outline when I could be writing the story makes me want to throw things!

In my writer’s group last night we went off-topic, and someone mentioned that after they outlined, the story flew out of their fingers because they knew exactly where every scene was going.  They are probably right.  There is a “bridge” that I need and I am not sure how my character will get there. That is usually the fun part for me… finding out.  The problem is I don’t have the luxury of the time to figure that out while I am writing a scene that might end up getting deleted.  Deadline, remember?

What fun is that?

Erggghhhhhh!

Going back to the outline, now.  I’ll let you know how I do.

What stupid writing thing did your beta find this week? Darth Vader Syndrome

My characters breathe.  There.  I said it.  THEY BREATHE.  People breathe, right?  Get over it!

Ugh.  A beta recently said “your characters breathe a lot.”  Hmmmmm.  Do they?  Nifty little count-it trick to the rescue (Click here if you need the trick)

Yikes!  In 50 pages different characters breathed deeply, or took some sort of a breath 23 times!

No No No NO!  She smacks herself in the head.

Now…. breathing.  It’s normal.  Everyone does it, right?

Ergghhhhhh.  I think the deep breathing was a spastic reaction to making sure they don’t sigh too much.  I guess my sighs turned into deep breaths.  Now they all walk around sounding like Darth Vader.

The problem is, this seems normal to me.  If I think hard about something, or I am about to say something important, I feel myself taking in a deep breath.  Some call that a sigh.  Because I do it, my characters do it.  I guess I need to curb that habit.

It’s hard though, isn’t it?  There are just so many descriptive words in the English language that don’t jostle you out of the story because they are too “odd”.  It leaves us stepping, looking, sighing, and taking deep breaths.

Ugh.  No one said this writing gig was easy, my friends.

You just have to stop breathing.

I’m talking about your characters.  Breathe, QUICK!  You’re turning blue!

Whew!  That was a close one.  You guys gotta stop taking me so literally.

Watch for words you use too much.  Trust me, you won’t even see them.  Someone will have to point it out to you and make you feel silly.

Lesson Thirty from a Manuscript Red Line: Finale! Summing it all up

Wow.  It has been about 7 months since my beta partner and I sat on the phone pulling our hair out over the comments the publisher made on her manuscript.  I think at this point I have hacked up and drilled everything they had to say as much as possible.  The rest of their comments are just repeats of the same mistakes throughout the work.

Sooooo….. This is the last one.  Thirty posts in all.

So, did this help you?  Did you learn from this?  I totally did.  My novel is much more crisp, clean, and fluid as a result of all this information.  I hope you have benefitted as well.

Now the only problem is…. What do I post about on Monday nights from now on?

**GACK**  I have no idea!

Here are all the lessons in a sparkly package for you.  If you missed one, I’d suggest going back and taking a look.  Heck, maybe read them over again to get a fresh perspective.

I hope that you have all benefitted from these lessons as much as I have.  I’d also like to send out a special “thanks” to the brave author who was nice enough to allow me to slice and dice her red-lined manuscript for all the world to learn from.

Just out of curiosity, which lessons helped you the most?

I truly hope all of you will have the opportunity one day to add the revised version of the Gold Mine Manuscript into your own libraries.  Once it is published, (with the author’s permission) I will let you know so you can all see the value of good clear suggestions, and the results of hard work and editing.

Introduction

Lesson One:  Write without Looking

Lesson Two:  Do we like your main character yet?

Lesson Three:  Action Action, where is the Action?

Lesson Four:  And Then there was a Conjunction, or Was There?

Lesson Five:  Let’s keep it in the past

Lesson Six:  Watch that Voice!

Lesson Seven:  Where did that character come from?

Lesson Eight:  Magically Appearing Items in the Setting

Lesson Nine:  Written Any Good (Bad) Cliché’s lately?

Lesson Ten:  Girls Rule and Boys Drool

Lesson Eleven: Pre-Telling

Lesson Twelve:  How Are Your Characters Feeling Today?

Lesson Thirteen:  Keeping inside the Point Of View, Part 1

Lesson Fourteen:  Keeping inside the Point Of View, Part 2

Lesson Fifteen:  How Many POV’s Can You Have?

Lesson Sixteen:  Cutting down your Point of View Characters

Lesson Seventeen:  Who are we talking to?

Lesson Eighteen: What makes your story Unique?

Lesson Nineteen: Don’t annoy the reader

Lesson Twenty: Don’t make things so easy

Lesson Twenty-One: Common, and Cliché Themes

Lesson Twenty-Two: Does your Protagonist “Grow Enough?”

Lesson Twenty-Three from a Manuscript Red Line:  Kindle Syndrome

Lesson Twenty-Four: Remembering where your characters are

Lesson Twenty-Five: Bullying for Bully’s sake

Lesson Twenty-Six:  Capital Letters

Lesson Twenty Seven: Fluidity in Action-The Art of a Good Fight Scene

Lesson Twenty-Eight: Very Discreet Point of View Switches

Lesson Twenty-Nine:  Watch your Synopsis

Don’t forget to let me know which one you enjoyed the most!