Tag Archives: writing

How to make Your Reader Care About Your Character #1

I was cleaning off my desk this weekend and I came across a handout from a seminar or class that I don’t even remember taking.  I read through the page and considered my current work in progress.  I’m pretty sure that by this time in my career I am doing what the handout recommends as an almost instinctual part of my writing process.

I almost tossed the paper, but thought there may be some people out there who could benefit from these notes.  And, of course, I tend to learn stuff myself when I write out and analyze notes for posts, so let’s see what happens.

To keep things  short, I will break this topic into 5 separate posts.  One thought to chew on at a time.

Disclaimer:  I honestly don’t remember where this handout came from. I’m going to paraphrase the topic and think up my own ideas, but I don’t want anyone to think I’m stealing without giving credit.

All right:  Creating a character people care about:

It should be a given to an author that they need to create characters that their readers will care about. They do not necessarily have to like the character. Some really great characters are very unlikable. But we need to CARE about them, or we won’t keep reading. Right?

So how do we do this?

1.       Relationships.  Everyone in the world has relationships. They can be good, bad, or just tolerable, but you know what a relationship is, and so does your reader. Seeing a character in a relationship is an easy way to help a reader connect.

Let’s think over some memorable relationships.  I’ll grab a character most people know.

Harry Potter.

Harry lives with his aunt and uncle. Wow, they do not treat him well, do they? Have you ever been treated unfairly? Have you every had to put up with it because you had no choice? Have you ever wished a magic letter would show up and scoot you away? (Well, I’m sure the answer is “yes” to most of what I said, anyway.)

Giving Harry this horrible home life helps us to INSTANTLY connect with him. We feel sorry for him and want him to live up to his potential.  If Harry can overcome the odds, maybe we can, too.

Do you see how quickly and easily the connection is made? In the first few scenes we totally care and we are engaged.

Relationships. Use them.

And if your character is stranded on a deserted island, have him draw a face on a ball so he has someone to talk to. Yes, that has been done, but that helped you to connect as well, right?
Relationships are one of the easiest ways to help your readers care about your characters.

How have you used relationships to develop your characters?

_JenniFer____EatoN

Simple Rules to Writing a Great Novel

Writing_A_Great_Novel

For the past 32 weeks, we’ve been discussing Guthrie’s 32 Rules to Writing A Great Novel.  Here is a handy-dandy list of all the articles and links to them, all in one place.

This is a great time to review, especially if you are editing your manuscript.

Please let me know which one you found the most helpful, or if you think this guy is just off his rocker. 🙂

Enjoy!

And Happy Editing!

01- Writing is Subjective – http://wp.me/p1HIMV-1yw

02- Oblique Dialog – http://wp.me/p1HIMV-1An

03- Whatsa Strong Verb? – http://wp.me/p1HIMV-1AK

04- Easy on the Adjectives – http://wp.me/p1HIMV-1B8

05- Two for One is not always a good thing – http://wp.me/p1HIMV-1Bc

06- The shorter the better – http://wp.me/p1HIMV-1Cd

07- Once is enough, Thank you very much. – http://wp.me/p1HIMV-1Ci

08- Show, Don’t Tell – http://wp.me/p1HIMV-1Cl

09- Just the facts, Ma’am – The important facts – http://wp.me/p1HIMV-1Cp

10- Don’t be cute – http://wp.me/p1HIMV-1Eg

11- Sound like a writer, without SOUNDING like a writer – http://wp.me/p1HIMV-1El

12- Who’s talking now? – http://wp.me/p1HIMV-1El

13- Yep. Your Write. Ya gotta change it. – http://wp.me/p1HIMV-1Ff

14- Stop “saying” things – http://wp.me/p1HIMV-1Fk

15- They’re not psychic – http://wp.me/p1HIMV-1Fq

16- Come late, leave early – http://wp.me/p1HIMV-1H0

17- Don’t dump on me! – http://wp.me/p1HIMV-1H2

18- Goals, anyone? – http://wp.me/p1HIMV-1HL

19- Don’t sleep with him/her – http://wp.me/p1HIMV-1HP

20- Go ahead, torture ’em! – http://wp.me/p1HIMV-1HR

21- The stinkier the better – http://wp.me/p1HIMV-1HT

22- The long and short of it – http://wp.me/p1HIMV-1IP

23- Stop being all proper – http://wp.me/p1HIMV-1Ke

24- Stop feeling! And no thinking! – http://wp.me/p1HIMV-1Kp

25- Don’t repeat the tense – http://wp.me/p1HIMV-1Kt

26- Cut your weakest player – http://wp.me/p1HIMV-1Ky

27- Plant Vegetables, not information – http://wp.me/p1HIMV-1KD

28- Keep it to yourself, Jerk! – http://wp.me/p1HIMV-1KG

29- No happy shruggers – http://wp.me/p1HIMV-1KK

30- Pronouns. Tricky little suckers – http://wp.me/p1HIMV-1KM

31- Shoot him later – http://wp.me/p1HIMV-1KO

32- Forget about it – http://wp.me/p1HIMV-1KQ

I really didn’t like this book – but I’m still giving it four stars

I finished “18 Things” by Jamie Ayres a while ago, and decided to let it sit a simmer before I wrote a review. I considered not writing a review at all, because I’m not sure how to give this book, and the brilliant author, the justice she deserves. The fact is, I really didn’t like this book at all, but I’m still going to give it four stars. Let me explain.

This book grips you from the very first page and thrusts you into a nearly unending roller coaster of emotion. The story is about a girl who witnesses a tragic accident that takes her best friend and secret love’s life. (That’s not a spoiler – it happens in the first few pages.) From there on out, the book is about dealing with loss—overcoming this loss by creating a “bucket list” of 18 things to do.

Crud! Just writing that brought tears to my eyes again!

This is the thing. I read for enjoyment – to escape everyday life. This book is NOT THAT. I cried pretty much from the first page to the last page with a very brief tear-free intermission in the middle. Let me tell you – I have enough problems…I don’t need to be depressed while I’m reading, too!

Disclaimer – I sent this review to the author before I posted it… and she was surprised that I cried so much. She felt the “middle” was fun and light. I did feel the “intermission” but it was short lived for me. (Sorry)

But see, here’s the problem. I wouldn’t give a book a low rating because it was written so well it made me cry. I think it had exactly the emotional response that the author wanted. I couldn’t even deduct a star for lack of explosions, because there was one in the first few pages (well, kind of anyway)

So, why four stars instead of five?

For one thing… this is supposed to be a YA paranormal. I’d forgotten the genre while I was reading, because nothing paranormal happens. I understand why it was placed in the paranormal category (Can’t explain or I’ll spoil it), but this IS NOT a paranormal. If you only enjoy paranormal, you will probably cry through this and be frustrated – but I think that is a category error, not the author’s fault. So I’m not subtracting a star for that – I just thought I’d mention it.

All that aside — Here’s the reason for four stars…

As the novel was winding down, I started to feel safe again. Everything came together nicely. I was readying myself to give it five stars, but at the same time explaining that I didn’t enjoy reading it.

Then…

We hit the last chapter.

Did you hear that annoying sound? It was me grinding my teeth.

I’m one for a great surprise in an ending. Totally love a twist – in most cases. This one, however, kind of bothered me. To be completely honest, I felt cheated. Does that make it not brilliant?

No. It was brilliant.

It just made me a tad miffed. No… I had it right the first time. I felt cheated. I also started crying my eyes out again.

My husband kept feeding me tissues and told me to stop reading. I said “No! I need to finish this so I can stop crying!”

So I am subtracting a star for the ending, although I realize it was needed to set up the possibility for a sequel. To me though, it felt added on to make room for the next book. I’d have given 18 Things five stars without the last chapter.

So, this is the scoop: This book is a brilliant piece of contemporary fiction about dealing with death and learning to live your life again. While there is a slight paranormal edge that you might miss if you blink, this is NOT a paranormal novel.

Readers of contemporary YA will probably love this. I, unfortunately, cried myself silly though the whole thing.

No happy shruggers — Rule #29 of 32 Simple Rules to the Writing the Best Novel Ever

Writing_A_Great_Novel

I’m dissecting the article Hunting Down the Pleonasm, by Allen Guthrie, using it as a cattle prod to search for little nasties in my manuscript.  Yep, you can join in the fun, too.  Let’s take a looksee at topic #29

I Love Love Love smile and shrug.  I’ve learned to curb my sighing, but I used to be guilty of that too.

I think smiling and grinning are overused in a lot of writing.  I really don’t worry about it in a first draft.  I let them smile and shrug away.  But these words are on my list of little buggers to pare down when I’m all done.

I just go in to my manuscript, do a search for “shrug” and my manuscript lights up like a Christmas tree.  So like a good little editor, I give my manuscript a present and curb them down to once every 50 pages or so.

Smiling Sadly has to do with that “ly” rule.  Almost every “ly” word can be removed from a manuscript.  I try not to type them at all, even in a first draft.

What words do you overuse?  Do you smile sadly while you shrug off your grin?

Jennifer___Eaton

Plant vegetables, not information — Rule #27 of 32 Simple Rules to the Writing the Best Novel Ever

Writing_A_Great_Novel

I’m dissecting the article Hunting Down the Pleonasm, by Allen Guthrie, using it as a cattle prod to search for little nasties in my manuscript.  Yep, you can join in the fun, too.  Let’s take a looksee at topic #27

27: Don’t plant information. How is Donald, your son? I’m quite sure Donald’s father doesn’t need reminding who Donald is. Their relationship is mentioned purely to provide the reader with information.

Ha!  If you’ve ever had a beta read done by me, you know I’m a viper when it comes to info-dumps.  But I usually tag them when they are paragraphs long.

What Guthrie mentions here is a little more subtle, but it should jump out at you as unrealistic dialog.

Anywhere where you are dropping information in an unnatural way is bad.  Also be careful, because you can insert information in a completely logical thought, but then end up going off on a tangent of info-dumping and lose your reader.

Do you have any funny examples of this?

Jennifer___Eaton

Ok, so, I’ve been a delinquent

I know I haven’t been posting much lately.  I put insane deadlines on myself that no human could possible keep up with… and then I go and meet those deadlines.  But it does keep me writing, which at least is good.

So, What have you been up to?

I finished the first draft of my WIP, and then set it aside to spruce up the novel I am querying.  Then I took that baby out for a few pitches at a writer’s conference.

Have you ever been to a writer’s conference?  This was my first, and I must say it was a great experience.  I only wish that they duplicated some of the sessions, because many that I wanted to go to were running at the same time as others so I had to miss out.

It’s also great to talk to people in the business and get their perspectives on the industry.

Anyway, I think I learned a few things, and of course, once I get some time to digest, I will spit it all back out here for your enjoyment.  Yuck, that was a really gross visual, but hey, it works.

Anyone else been to a good conference lately?

_JenniFer____EatoN

Write a Story With Me # 66 – “Strong Insult” by Joe Owens

Write a Story with Me is a group endeavor just for the fun of it.  A different writer adds a new 250 words each week.  It is the ultimate Flash Fiction Challenge!

If you’d like to sign up, come on over.  There’s always room for more!

Here’s this week’s excerpt.  We hope you enjoy!

Part 66 – Joe Owens

“Protector Sumner, you were in great danger. We overestimated the strength of their forces. They have added to their contingent above our estimates,” a supporting officer spoke.

“The queen, Morath, has incredible powers. We must remove her from the equation. The young queen will not be as formidable as a foe.”

“You took a very big chance with this plan. The Establishment is pleased with your commitment.”

Yoran turned to look at the officer, a question in his mind. The question morphed into a feeling of uneasiness as the younger man continued to speak.

“It was almost like you knew nothing would happen to you. No one else offered to take your place and there are several officers my age who need to prove ourselves for the chance to be promoted. A man so important to our cause as you should not be taking such chances.

“Is there something you want to say son?” Yoran asked, irritation flowing with his words. To call another officer son was a strong insult, one Yoran used frequently.

“I think the confidence you had in the plan comes from more than just a belief in our forces.”

Yoran’s gut tightened with this statement. He blinked silently, which the young man took as an invitation to continue.

“Perhaps you have an advantage none of the rest of us have. A connection that means you have no reason to fear contact with our enemy.”

“Are you excusing me of consorting with our enemy?”

“Yes sir, I am.”

Want to read more?  See below for past excerpts.

If you’d like to sign up, come on over.  There’s always room for more!

Parts One – Fifty Click Here

Part Fifty-One – Joe Owens

Part Fifty-Two – Shayla Kwiatkowski

Part Fifty-Three – Jennifer Eaton

Part Fifty-Four – Shan Jeniah Burton

Part Fifty-Five – Jenny Keller Ford

Part Fifty-Six – Susan Rocan

Part Fifty-Seven – Susan Roebuck

Part Fifty-Eight – Elin Gregory

Part Fifty-Nine – Nicky Wells

Part Sixty – Vanessa-Jane Chapman

Part Sixty-One – Ravena Guron

Part Sixty-Two – Julie Catherine

Part Sixty-Three – Kai Damian

Part Sixty-Four – Richard Leonard

Part Sixty-Five – Danielle Ackley McPhail

Part Sixty-Six – Joe Owens

Don’t forget to stop by next week to see what happens next.

Shayla Kwiatkowski — TAG!  You are “It”

Write a Story With Me Contributors

shayla kwiatkowski gryphonboy Jennifer M. Eaton Vanessa Chapman
Siv Maria Sharon Manship shanjeniah Vikki (The View Outside)
Danielle Ackley-McPhail Richard Leonard susanroebuck Jenny Keller Ford
aparnauteur kaidamian Eileen Snyder Elin Gregory
Joe Owens anelephantcant mysocalledDutchlife Nicky Wells
norahdeayjansen Julie Catherine Ravena Guron
jiltaroo 4amWriter mywithershins

1 swivel

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Rule #12 of 32 Simple Rules to the Writing the Best Novel Ever – Point of View

Writing_A_Great_Novel

I’m dissecting the article Hunting Down the Pleonasm, by Allen Guthrie, using it as a cattle prod to search for little nasties in my manuscript.  Yep, you can join in the fun, too.  Let’s take a looksee at topic #12

12: Fix your Point Of View (POV). Make it clear whose head you’re in as early as possible. And stay there for the duration of the scene. Unless you’re already a highly successful published novelist, in which case you can do what you like. The reality is that although most readers aren’t necessarily clued up on the finer points of POV, they know what’s confusing and what isn’t.

This is something that I really needed to teach myself to do. I’ve even written quite a few stories recently in one POV to keep myself from hopping.

A few years ago I wrote a novel with about a dozen points of view.  A beta reader suggested I read a BEST SELLING novel that switched points of view a lot so I could get a feel of how to do it seamlessly.  You know what happened? I couldn’t even read the book.  About half-way-through, I abandoned it because the head-hopping drove me crazy.  But wait – that was a best-selling novel????

Yes, it was… so a lot of people liked it.  I didn’t. (This was a romance novel by the way… it hopped between the two main characters)

The experience struck me enough though to go through my book like a viper ensuring that every scene had a SINGLE point of view.  I don’t want to give anyone the flip-flop experience that this novel had given to me.

It’s really not that hard.  Start a scene in someone’s head, and then pay attention to staying there.  Do you need to express the feelings of another character?  Fine.  But do it by showing what your POV character observes.

This POV advice is one I stoutly agree with.

Pick your POV and stay there.  If you need to change, start a new chapter and stay inside the news character’s head for a while.

Your writing will shine with this little added attention.  Harder? Yes, sometimes it is, but the end result is sooooo worth it.

How do you feel about head hopping? Are you guilty?

swish swivel squiggle

Click here to tweet: Watch your Point of View. Rule #12 of 32 Simple Rules to the Writing the Best Novel Ever from @jennifermeaton 

_JenniFer____EatoN

It’s my website’s second anniversary! Yay!

It’s my website’s second anniversary!

Yay1!

Wow.  Two years already.  Where has the time gone?  Don’t worry, I’m not going to ask for anything crazy like you guys writing a story with me, because a bunch of you are still doing that! (If anyone wants to join up, we’ve always happy to see new writers. Click here to join.)

Anyway… For this anniversary I’m setting a challenge for MYSELF instead.  I feel really behind now, because I took nearly two months to write a query and synopsis for Fire in the Woods.

Did you hear that??? TWO MONTHS.  I still want to smack myself in the head.

**That’s crazy**

It’s two months of trying to control my creative juices, and keeping down the new story idea that crept into my head. (I admit I did take two days to outline the idea so it would stop screaming at me to be written.)

Today, I am sitting down for the first time in months and digging back in to the work in progress that I had put on hiatus.  Optimal Red is a Dystopian novel for the New Adult market.  It is a Prequel to “Last Winter Red”, my first-ever published story in the “Make Believe” Anthology from last year.

Yep. I’m excited too.

I’m starting today with 14,000 already written words, and giving myself a challenge to finish the first draft by mid to late September.  It’s going to be tight, because Paper Wishes releases in three weeks (and yes, I am doing a full blog tour to support my baby – Cover should be ready soon!)

I still have final sign-offs to do on The First Day of the New Tomorrow (Which will release in September)  and a blog tour for that baby as well.  Yep, Mommy’s going to be busy.

But nothing will keep me from writing this time.  It’s what we do, right?  Although I’m incredibly anal and have plotted out how many words I need to write, and on which days… I look forward to getting back into my world, and my writing routine.  I missed it.

Who else out there needs a little kick in the butt to finish????

Race ya to the finish line!

Ready.  Set.  Go!

Happy writing!

_JenniFer____EatoN

Rule #11 of 32 Simple Rules to the Writing the Best Novel Ever

Writing_A_Great_Novel

I’m dissecting the article Hunting Down the Pleonasm, by Allen Guthrie, using it as a cattle prod to search for little nasties in my manuscript.  Yep, you can join in the fun, too.  Let’s take a looksee at topic #11

11: Avoid sounding ‘writerly’. Better to dirty up your prose. When you sound like a writer, your voice has crept in and authorial intrusion is always unwelcome. In the best writing, the author is invisible.

My take on this, is to not always be perfect.

I have to admit… I’ve started sentences with “and” and “but”.  Correct?  No, of course not.  So why do it?

VOICE.

Voice is very important, especially in first person. Your character is narrating the entire story.  Do YOU think in complete sentences?  No, of course not.

We need to write how it is believable.

I recently had an editor try to “correct” this paragraph of dialog:

“You’re pretty, and have nice legs, and beautiful brown eyes, and an amazing smile if you’d ever use it, but you can’t see all these great things because you’re always too hung up on wishing you had what everyone else does.”

They wanted me to change it to be grammatically correct.  Their suggested edit:

“You’re pretty, have nice legs, beautiful brown eyes, and an amazing smile if you’d ever use it…”

The reason I pushed back on this is because the character is very emotional and upset.  He is rattling off a list of things popping into his head (and not thinking at all what he is saying)  The editor’s suggested change made it sound like he was dictating a letter with no emotion at all.

Luckily, despite not being ‘correct’ – my dialog stayed.  It is more believable this way, and conveys ten times the emotion.

Have you ever had to defend your choice of “bad” grammar/style?

Click here to tweet: Write bad to write good. Rule #11 of 32 Simple Rules to the Writing the Best Novel Ever from @jennifermeaton

_JenniFer____EatoN