Tag Archives: jennifer M. Eaton

An 11-year-old’s review of The UnderTakers: The Last Siege of Haven

 

Before the review, a note from “Mom”:
I would be remiss if I didn’t mention how I first encountered a Ty Drago book.  For those of you who don’t know me, I have three sons. 14, 11, and 9.
 
My 14 year old (AKA the Monomaniacal Middle Grade Reviewer) is an avid reader. Always has been. After years of struggling to get Middle Dude to even read a comic book, I’d given up. Then I started having the same trouble with Littlest Dude. In a panic, I rescheduled a weekend to bring Littlest to meet Dan Gutman… the author of the only book the kid agreed to read if I twisted his arm.  Middle Dude came kicking and screaming (Well, not that bad, but he wasn’t happy)
 
What, Doesn't this look like Ty Drago?

What, Doesn’t this look like Ty Drago?

Anyway, this is where Ty Drago comes in wearing a big old red cape

(Well, kind of. We actually didn’t even meet him) …
 
While we were buying a few Dan Gutman books at the Barned and Noble stand, Middle Dude comes up and hands me this book. “Can we get this?” he asked. “It looks sooo cool!”
 
I flipped over this very thick book 480 stinking pages. It was HUGE.  I said, “You’re not going to read this.”
“Yes I am,” he pleaded. “It sounds awesome.”
 
I stared at this monstrous book that I knew would end up as a doorstop or mashed in the toy graveyard in the corner of his room. With a sigh, I purchased The Undertakers, figuring if he read five pages, I was way ahead of the game.
 
That is when the magic happened. That night, I found Middle Dude hiding under the covers with a flashlight READING.  Did you hear that? R.E.A.D.I.N.G.
 
I couldn’t believe it!  A few weeks later, he was done and asked for the second book. And then the third. And then the on-line material!
Wahoooo!
This kid who hated reading, was suddenly devouring Ty Drago books.  And once he blew through them all, he was far more open to trying other books. 
Now he reads every night with a smile on his face. Thank you Ty Drago!  You are my hero.
 
Enough of my babbling … Here is Middle Dude’s review.  I was going to correct his punctuation and typos and stuff, but I figured I’d leave it as he typed it.  Enjoy!
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The UnderTakers

The Last Siege of Haven.

 .
To Ty Drago,
Over all i really liked the book. It was literally non stop acition and i read most of it on one night because it was so great. The only thing i disliked was that most of the book was based on getting amy to haven.
Throught out the book i just kept thinking in my head oh my gosh what will happen next. my favorite part of the book was when they were being chased by the baby malum, it really added alot of action to the book, like a hole new species.
another part i like was when helene got out of her homeless old lady suit for backup. that came out of no where. When prentended to lose his sight i was like oh my gosh how did he lose it he isnt eighteen yet and a bunch of other questiosn like who will be the leader.
i enjoyed the part when they set haven with traps so the corpses wouldnt get in. i was also sad when [SPOILER REMOVED] died, but at least {SPOILER REMOVED} saved [his or her] friends.
overall this was one of the best books that ive ever read and i cant wait for the next 2 (i think there will be 2 more) books that you will write.
it always seemed like every second was an hour when i waited for your book “the secret of the corpse eater”.
i hope it wont be like that for the 5 book. i hope that wont happen this time.
  Happy Reading,
[Middle Dude signed his name.  So cute! but Mom is removing for privacy’s sake]
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Purchase Links:

Amazon | B&N | Kobo | iBooks | TBD

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Rafflecopter! Enter to win one of 5 digital copies of Last Siege of Haven (The Undertakers #4) by Ty Drago Click here

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ABOUT TY DRAGO:

Ty Drago does his writing just across the river from Philadelphia, where the Undertakers novels take place.  In addition to The Undertakers: Rise of the Corpses,The Undertakers: Queen of the Dead, and The Undertakers: Secret of the Corpse Eater, he is the author of The Franklin Affair and Phobos, as well as short stories and articles that have appeared in numerous publications, including Writer’s Digest.  He currently lives in southern New Jersey with his wife and best friend, the real Helene Drago née Boettcher.

Author Links:  Website Twitter Facebook Goodreads

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Middle Dude received an arc for his fair and honest review. Where he would never pan a book (He’s cool like that) He has, like his older brother, respectfully declined to review a book after reading. He wouldn’t have typed all that out if he didn’t feel strongly about the book.

Score! You guys are going to love this next series of Monday writer’s-help posts!

Wahoooo!

Wahoo! I’m so excited!

A few weeks ago I had the pleasure of meeting fellow Month9Books author Donna Galanti. While we were chatting, she mentioned that in her past life she was an intern at a literary agent.

My ears perked up. “Really? What did you do there?”

Are you ready for this? She combed the slush pile.

That means if you had submitted to this agent, your manuscript would have to get through HER FIRST before the novel was even seen by the agent.

Wait----What

If you are unaware, this is really, really common. Many agents use interns to weed through the manuscripts and provide feedback on the submissions. These people are the “gatekeepers”. If you don’t make them happy, you are one step closer to a rejection.

So, how do you make sure your manuscript gets through the gatekeeper?

Well, we’re going to show you!

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Donna kept extensive notes on all the manuscripts she reviewed, and over the next few weeks, she is going to discuss the good, the bad, and the ugly – and how YOU can keep yourself out of the reject pile.

Posts start next week. This is not to be missed if you are querying!

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Book Review: The Artisans by Julie Reece

I’ve been looking forward to this book release for a long time. Julie Reece is the author of CRUX, which is one of my favorite paranormal/mythical novels.

Now she’s out with a brand new YA novel. Woohoo!

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The Artisans is a “Southern Gothic”. I had no idea what that meant, so I was surprised when it started to get a little scary. (At one point, I even had to shut my eyes, which made me remember that I was reading a book, which is a little hard to do with your eyes shut.) It is a creepy read at times, but only one spot got “gory” (Which was probably mild by horror standards, but it made me cringe a little.)

This is a loose Beauty and the Beast retelling, with a touch of the cobbler fairy tale thrown in for good measure.

A teenage girl is blackmailed into designing clothes in this “mean but cute” rich dude’s mansion in order to save her father. But there’s a catch – the mansion is haunted. And Mr. Hotness might have a few family secrets.

Ooooooo, yes,

They are the scary kind.

I enjoyed this book a lot, especially the last 30% or so when things started to heat up between the main characters, and the ghosties started to get a little… ummm, “impatient”. The last ten percent or so flew by. This is great for romance fans who don’t mind a little “boo” mixed in with their love story.

What is interesting though, is that this book is a duology, which means there is another book coming out. I am very interested to see where the author takes us in the next book, because The Artisans definitely had the feel of a stand alone. There is really nothing “left hanging”. So, if you are the type that likes a stand alone, don’t worry about picking up The Artisans. It definitely ends, and ends satisfactorily.

I would recommend this book for a nice quiet weekend read, or a fun book to hide under the covers with.

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Purchase Links:

Amazon | Barnes & Noble | kobo | TBD | Goodreads

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Rafflecopter!

Five (5) winners will receive a digital copy of The Artisans by Julie Reece (INT)

Click here to enter the rafflecopter!

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About Julie Reece

Born in Ohio, I lived next to my grandfather’s horse farm until the fourth grade. Summers were about riding, fishing and make-believe, while winter brought sledding and ice-skating on frozen ponds. Most of life was magical, but not all.

I struggled with multiple learning disabilities, did not excel in school. I spent much of my time looking out windows and daydreaming. In the fourth grade (with the help of one very nice teacher) I fought dyslexia for my right to read, like a prince fights a dragon in order to free the princess locked in a tower, and I won.

Afterwards, I read like a fiend. I invented stories where I could be the princess… or a gifted heroine from another world who kicked bad guy butt to win the heart of a charismatic hero. Who wouldn’t want to be a part of that? Later, I moved to Florida where I continued to fantasize about superpowers and monsters, fabricating stories (my mother called it lying) and sharing them with my friends.

Then I thought I’d write one down…

Hooked, I’ve been writing ever since. I write historical, contemporary, urban fantasy, adventure, and young adult romances. I love strong heroines, sweeping tales of mystery and epic adventure… which must include a really hot guy. My writing is proof you can work hard to overcome any obstacle. Don’t give up. I say, if you write, write on!

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BookCon – The book lover’s event to end all book lover’s events

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BookCon. If you haven’t heard of it, take a moment to try and fathom 10,000 people converging on one convention center for two days with the sole purpose of meeting authors, listening to authors speak, and taking in panels on all things related to books.

BookCon Crowd

It’s book mania!

If anyone told me a year ago that I would be signing books at an event this big, I would have laughed uncontrollably. Especially since this time last year I was still querying Fire in the Woods.

Omigosh, I really was still querying! I’m shaking my head. What an insane year this has been!

So, yes, believe it or not, little old me will be there with some of the biggest authors in the world, signing books and meeting fans. (And maybe fangirling a little myself)

Part of me still can’t believe it. It will probably sink in when I get there, complete with a panic attack. Don’t worry, Hubbs is coming with me to give me oxygen.

Soooo, if any of you are coming to New York this weekend, I’d love it if you could stop and say hi! I will be signing FIRE IN THE WOODS at 1:00-1:45 at booth 2579 (The Month9Books booth)

 

 

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Gah! So much going on!

 

What

Omigosh! I have so much going on I totally forgot to post today!

I’m finishing up second round edits on ASHES IN THE SKY, and writing up a formal outline for book four of FIRE IN THE WOODS to submit to Month9Books.

I should know by June 30th whether or not my publisher wants to pick up a fourth book in the series (She chews her nails)

Some big things are coming up.

Saturday, May 23 at 2:00 at Doylestown Books in Doylestown, PA I am going to be part of a huge YA Fantasy book signing event!

This is going to be the first big event I have had the opportunity to be a part of as a Month9Books author. Doylestown Books is quite a hot spot for authors. They’ve hosted some pretty big names so I’m thrilled to be a part of this event.

So exciting!

 

And next weekend is something so huge I still can’t quite get my mind around it. I’ll fill you in on that one in a few days.

Hope everyone is having a wonderful and productive writing week!

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Lesson Twenty-Nine from a Manuscript Red Line: How’s your synopsis?

Side note: This is a repost from February of 2012. At that time, I was finishing a novel that I had spent several years on. I smile when I read things I had to say about that story, realizing that I have written six (yes, six) novels since then, and three novellas. I would never have believed that was possible four years ago when I wrote this.  –Just crazy.

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The publisher talked a lot about the synopsis in the closing comments of the Red-line.  I found this really strange, but I thought it had merit to mention it.

For an intro into where these tips are coming from, please see my post: A Full Manuscript Rejection, or a Gold Mine?  You can also click “Rant Worthy Topics” in my right navigation bar.  Choose “Gold Mine Manuscript” to see all the lessons to date.

The reason I found this strange, was because they’ve already read the manuscript.  They’ve already made comments, and asked for it to be re-submitted.  Why are they even talking about the synopsis?

What it seemed like to me (being an optimist) is that they were actually being helpful.  They probably knew that there was a chance that the author may not make all the changes to their satisfaction, and that she might submit to other avenues.  They were nice enough to point out problems with the synopsis that might help her if she sent it somewhere else.

(Honestly, after reading all their synopsis critiques, I was wondering why they even asked for a “full” in the first place.  I guess you never know.)

So, this is what they said…

They went through a laundry list of what the story “is not”.

It is not about this, it is not about that either.  (Quoting what was mentioned in the synopsis)

It is not a character study on the main character.

The quest is not fleshed out…

These are some of the comments.  I am guessing they are saying that the synopsis was too in-depth and talked about the side plots in the story.

I can totally understand this.  It took me months of writing and digging and cutting and beta-bashing until I finally realized what my story is about…

Magellan Talbot has to save the world.  Too bad he doesn’t know it.

Boom.  Done.  Now, there is a lot of other stuff going on that is SUPER important and makes the story unique, but you wouldn’t believe how hard it was for me to boil it down to the above.  I kept getting bogged down by the details.  The crux of the story is simple.

To save the world he has to save the Goddess.
To save the goddess he needs to fight for her.
To fight for her, he needs to find the Rapier.
To find the Rapier, he needs to remember his dreams…
The catch?  He can never remember his dreams.
Or anything else about who he really is.

There is also a lot of other stuff going on.  There is a love story, and a jealous brother trying to kill  Magellan… but simplicity is the key for the synopsis… I need to use only the elements that draw the story forward that are closely attached to Magellan saving the Goddess.

The publisher’s next comment in the Gold Mine Manuscript was “If the story is about saving (the alternate world) then that’s your focus and everything that happens in the story needs to lead to that point.  And the synopsis needs to be focused on all the activities that happen to get to that point.  Tie in every character that is introduced to get there as well as why and how (the MC) is the true key… build that up and show how that’s important.  Show us through actions and scenes that push the story forward.”

After reading this, I think I may have edited my own summary down too far.  I bought it down to the bare bones of the fewest characters involved that draw the main plot line forward.  And I also think I centered on the WRONG plotline.  My current synopsis is straight and to the point, but it is more centered on the jealous brother… which is important, but not the center.  I also took out Harris, who is probably equally as important in the novel as Magellan is.

Honestly, I am just not qualified to give anyone advice on a Summary.  I am just as lost as the rest of you.  I have helped out others with suggestions, because sometimes it is easier to have someone else boil down your story for you.  The best I can do is give you the exact quote that the publisher wrote for the Gold Mine Manuscript. (above)

Read their comment over carefully, and do your best with it.  And… when you get lost… remember that you have friends in the blogosphere who are always willing to help.

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Wow. Just wow 

Something happened last night that blew my mind. I sat in my car, staring at the email, crying. 
Don’t worry. They were happy tears. 
There are many steps in a writer’s journey. And while I always “hoped” certain things would happen, deep down, I never really expected them to.

I’m not sure what I can share yet, but I wanted to let you guys know : anything can happen.  (especially when you are backed by a publisher that works hard to support their authors and grow their brand)

Have a wonderful weekend!

😊😘😊😘😊😘😊😘😊😘

Jennifer M.Eaton 

Lesson Twenty-Eight from a Manuscript Red Line: Very Discreet Point of View Switches

I’ve talked about this before, but the second time might be a charm.  I think a lot of people are having trouble with discreet POV switches.  The big ones… where we pop heads for half a chapter are easy to find.  The one-liners may be harder to spot.

For an intro into where these tips are coming from, please see my post: A Full Manuscript Rejection, or a Gold Mine?  You can also click “Rant Worthy Topics” in my right navigation bar.  Choose “Gold Mine Manuscript” to see all the lessons to date.

Let’s go back to my little flash fiction scene.  Remember Jason and Eric fighting?  Let’s add a line to that.  (In bold)

Jason grunted as his fist swung toward Eric’s face.  Eric tried to dodge, but instead felt the sting of the older boy’s ring cutting into his jaw.  He fell to the floor with a muffled thump, and groaned as he rolled over. 

Jason wiped his chin and laughed.  “I told you to stay down.”

Eric pushed up onto his knees.  “Why, so you can just pummel me?”  He popped up and swung at Jason, but missed.

Jason ducked and swung at the same time.  There was no time for Eric to react.  His head creaked back, and his jaw rattled as he crumpled to the floor.

Jason breathed heavily, mopping the sweat from his brow.  He grunted and chose his words carefully.  “I told you to stay down, idiot.”  He snickered at the pitiful scene before him, and walked away.

There you have a short-one paragraph POV switch.  The scene is in Eric’s POV.  How would Eric know Jason was choosing his words carefully?  How would Eric know he was snickering at how pitiful he looked?  (Remember Peanut butter and Jelly Syndrome?)  Jason could have just remembered a funny joke.  Eric has no idea what he is really thinking.

The reason I used “Chose his words carefully” which might be a little odd in the example above, was because those were the words used in the POV switch in the Gold Mine Manuscript.  We were in character #1’s POV, and then another character “chose his words carefully”.  They flagged it as a POV switch.

Honestly, before reading their comments, I would have read right over this… I have also seen it in published works, but it is a switch in POV.  Do your best to keep an eye out for little things like this.  It will set your novel apart.

Hope this helps!

 

No, I am not crazy. I’m just really, really anal.

Last week I posted an article about word clouds and how you can use them to spot overused words.

One of the comments, from a dear friend and fantastic author, was this:

Think GirlOk, 300 – 400 times out of 80,000+ words? That’s like what, .005% of your words are the same? seriously woman? You crack me up. 

It got me thinking. “Am I crazy?”

Well yes. Just ask my kids.

But also, no.

I don’t look at 400 occurrences as .005% of the words being the same. My mind calculates the problem as “that word appears at least once a page”.

But, you might say, the words won’t be on EVERY page.  Yes. This is true. However, that means if I skip one page, there might be a page somewhere that has the overused word twice in it. Even worse if there are places where the word might appear more than twice on a page.

And in my worst nightmares, something like this happens. This is an actual screenshot of a page in on of my manuscripts, pre-editing.

1 book page

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Here is the thing: Repetitive use of a word stands out to the reader. Especially when the words appear close together.

As a rule, I try not to use a word more than once every ten pages.

Say_What

Well, that’s what I shoot for. It doesn’t always happen. If I can’t do ten pages (and I try very hard to hit this mark) I try to not repeat in less than five pages.

On rare occasion, I do go less.  But 5-10 pages is what I shoot for.

Is it crazy?

It can take me a week to get rid of a very frequently used word. Sometimes when I’m doing this kind of edit I want to give up and not care… but the end product is unbelievably worth it. I find myself rethinking paragraphs. I find new and interesting ways to describe things. Being this detail oriented takes my writing to a whole new level.

Crazy? Yes.

But for me, it’s a good kind of crazy.cropped-fire-banner-final2.png

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Lesson Twenty-Seven from a Manuscript Red Line: Fluidity in Action – How to write a good action scene

Disclaimer – I have a “rewritten” fight scene below.  It is FAR from well written. There are a few show verses tell issues in it that I hadn’t noticed a few years ago when this originally posted. But I think it still gets its point across. (And I don’t have time to re-write it since this post is already late. Ha!)

An example of a poorly written action scene:

Jason punched Eric in the face.  Eric fell to the floor.  Eric groaned and rolled over.   Jason wiped his chin and laughed.  Eric popped up, and Eric swung at Jason, but missed.  Jason ducked and swung at the same time.  Eric crumpled to the floor.

(Yes, I totally made this paragraph up.)

The publisher’s comment on a similar (but not as poorly written) sceneThis is a very stilted fight scene. It reads action, next action, next action, next action without the fluidity that’s needed for a fight scene.

For an intro into where these tips are coming from, please see my post: A Full Manuscript Rejection, or a Gold Mine?

You can also click “Rant Worthy Topics” in my right navigation bar.  Choose “Gold Mine Manuscript” to see all the lessons to date.

I have to admit, when I read the action passages in the Gold Mine Manuscript, I had the same comment.  The author was satisfied with the speed of the scenes though, and only made moderate changes.  Not being an expert, I backed off and figured it was just a “style choice”.  Guess not.

This fits in very well with my recent post on “Art of the Conflict”.  This scene is not about dialog, but this is definitely a conflict.  This one needs something inserted to break up the action, rather than action inserted to break up the dialog.

Now, I am not going to put a lot of time into this, since the scene is totally fake.  But let me add a little “art” to make it “flow”.  Fluidity is what they asked for.  Okay, here it goes…

Jason grunted as his fist swung toward Eric’s face.  Eric tried to dodge, but instead felt the sting of the older boy’s ring cutting into his jaw.  He fell to the floor with a muffled thump, and groaned as he rolled over.

Jason wiped his chin and laughed.  “I told you to stay down.”

Eric pushed up onto his knees.  “Why, so you can just pummel me?”  He popped up and swung at Jason, but missed.

Jason ducked and swung at the same time.  There was no time for Eric to react.  His head creaked back, and his jaw rattled as he crumpled to the floor.

Better, huh?  Not perfect by a long shot, but not bad for three minute flash fiction.  Can you feel the difference?  The staccato choppy “This happened-That happened” feel is gone, and the scene “flows”.

Of course, this is a first draft.  In editing, I would have to remove the “ing” word and the telly “felt”.  I would also insert a little emotion when Eric realized he missed, but this is definitely better by far than the first.  The art draws you into the scene.  You experience it, rather than just watching it.

The art of the conflict… If you don’t have it, go get it.

If you want to see a great published example, pick up a copy of  THRONE by Phillip Tucker and open up anywhere in the last hundred pages or so.

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